MARTIN 000-18Q Non-Adjustable Truss Rod
- similar to the 000-18, except has a traditional non-adj. truss rod, mfg. 1986-early 1990s.
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- similar to the 000-18, except has a traditional non-adj. truss rod, mfg. 1986-early 1990s.
- similar to the 000-18, except in four-string plectrum configuration with two-per-side tuners and a 27 in. scale, total production of 46 instruments, mfg. 1930 only.
- similar to the 000-18, except in four-string tenor configuration with two-per-side tuners, total production of five instruments, mfg. 1930-1941.
- similar to the 000-28, except has Brazilian rosewood back and sides, total production of six instruments, mfg. 1985 only.
- similar to the 000-28, except has a 12-fret neck, total production of 10 instruments, mfg. 1964-67.
- similar to the 000-28, except in classical nylon string configuration with X-bracing, fan patterned, and a pin tied bridge, total production of 17 instruments, mfg. 1937-1955.
- similar to the 000-28, except has a traditional non-adj. truss rod, mfg. 1986-early 1990s.
- similar to the 000-28, except has a 12-fret neck, total production of 31 instruments, mfg. 1974-77.
- similar to the 000-28, except has Brazilian rosewood back and sides, scalloped bracing, ivoroid binding, herringbone top purfling, zigzag back stripe, V-shaped neck, chrome tuners, white bridge pins with tortoise dots, and a tortoise pick...
- similar to the 000-45, except has a 12-fret neck, total production of 19 instruments, mfg. 1974-76.
- similar to the 000-45, except has a non-scalloped bracing and a standard profile neck, mfg. 1989-early 1990s.
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- Grand Auditorium body style, solid spruce top, solid mahogany back and sides, round soundhole with three-stripe rosette (5/9/5 grouping), tortoise top and back binding, mahogany neck, 14/20-fret rosewood fingerboard with slotted diamond inlays, rosewood headstock overlay with raised gold foil logo, three-per-side chrome tuners, rosewood bridge, black bridge pins with pearl dots, tortoise pickguard, Natural satin finish, 24.9 in. scale, mfg. 1989-1995.
Refer to the 16 Series for the 000-16(T). The 000-16M designation only lasted for 1989 and in 1990 it was changed to the 000-16.
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- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1911-17) or mahogany (1918-present) back and sides, round soundhole with three-stripe rosette (1/9/1 grouping between 1911 and the mid-1930s, inlaid 1/9/1 grouping between...
- Grand Auditorium body style, mahogany top, back, and sides, round soundhole with three thin W/B/W line rosette, no body binding, thin black back stripe, mahogany neck, rosewood fingerboard with pearl dot inlay, mahogany headstock overlay...
- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1907-1942) or Indian rosewood (1970-1985) back and sides, round soundhole with pearl rosette, ivory (1907-1918) or ivoroid (1918-1942, 1970-1985) top and back binding, pea...
- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1902-1954, 1965) or Indian rosewood (1979) back and sides, round soundhole with three-stripe rosette (herringbone surrounded by two five ring groupings between 1902 and 19...
- similar to the 000-28, except in classical nylon string configuration with fan bracing and a tied bridge, total production of 560 instruments, mfg. 1962-69.
- similar to 000-28, except has herringbone top purfling, a herringbone back inlay strip, and a tortoise pickguard, mfg. 2000-mid-01.
- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1902-1969) or Indian rosewood (1969-present) back and sides, round soundhole with three-ring rosette (5/9/5 grouping), ivory (1902-1918), ivoroid (1918-1966), or non-grain...
- similar to the 000-16(M), except has a single rounded cutaway, oval soundhole with single nine-ring rosette, pearl dot fingerboard inlays, all black bridge pins, and Natural high-gloss finish, mfg. 1990-95.