MARTIN 00-21 image

MARTIN 00-21

Manufactured by MARTIN

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MARTIN 00-21 Variants

MARTIN 00-21NY Image

MARTIN 00-21NY

- similar to the 00-21, except has no pickguard, no fingerboard inlays, and a wide fingerboard, total production of 906 instruments, mfg. 1961-65.

MARTIN 00-21 Price & value

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MARTIN 00-21 Description

- Grand Concert body style, spruce top, Brazilian rosewood (1898-1969) or Indian rosewood (1969-1995) back/sides, round soundhole with herringbone rosette (1898-1947, three stripes with 5/herringbone/5 grouping) or regular rosette (1/9/1 grouping), five-ply top binding, two-ply back binding with rosewood (1898-1932), black (1932-36, 1966-1995), or tortoise (1936-1966) outer layer, herringbone backstripe (1898-1947), cedar (1898-1916) or mahogany (1898-1916) neck, 12/19-fret unbound ebony (1898-1947) or rosewood (1947-1995) fingerboard with slotted diamond (1898-1944) or pearl dot (1944-1995) inlays, slotted headstock (1898-1990) or solid headstock (1990-95) with rosewood overlay and screened logo, three-per-side open-style chrome tuners with pearl knobs (1898-1990) or regular tuners (1990-95), rectangular (1898-1929) or belly (1929-1995) ebony (1898-1947) or rosewood (1947-1995) bridge, black bridge pins with white dots, no pickguard (1898-1932), tortoise pickguard (1932-1966), or black pickguard (1966-1995), available in Natural finish, 24.9 in. scale, available as a Special Order, mfg. 1898-1995.

Martin also produced one reissue model with Brazilian rosewood back and sides (Model 00-21B, 1985 only), three models strung for nylon strings (Model 00-21G, 1937-38), three Hawaiian models (Model 00-21H, 1914, 1952, and 1955), and two tenor models (Model 00-21T, 1934 only).

MARTIN 00-21 Specs

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MARTIN 00-21 Similar Models

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- similar to the 00-18, except has a single exposed pickup in the upper part of the soundhole and two knobs on the lower treble bout (v, tone), total production of 593 instruments, mfg. 1959-1964.

MARTIN 00-18C Classical Image

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- similar to the 00-18, except in classical nylon string configuration with a 12-fret body, 12/19-fret fingerboard, slotted headstock, fan bracing, and a tied bridge, 26.44 in. scale, total production of 4,351 instruments, available as a Sp...

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- Grand Concert body style, solid spruce top, koa back and sides, round soundhole with three-stripe rosette (5/9/5 grouping), five-ply top binding with black outer layer, black back binding, chainlink back stripe, mahogany neck, 14/20-fret...

MARTIN 00-18 Image

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- Grand Concert body style, spruce top, Brazilian rosewood (1898-1917) or mahogany (1917-1993) back and sides, round soundhole with various rosettes (colored wood rope rosette between 1898 and 1902, white line rosette grouped 1/9/1 between...

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- Grand Concert body style, spruce top, Brazilian rosewood back and sides, round soundhole with pearl rosette, ivory (1898-1918) or ivoroid (1918-1942) top and back binding, pearl border around top and where the fingerboard meets the body,...

MARTIN 00-16C CLASSICAL Image

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- classical Grand Concert body style, solid spruce top, mahogany back and sides, round soundhole with three-stripe rosette (1/9/1 grouping), dark outer top binding, black back stripe, mahogany neck, 12/19-fret rosewood fingerboard with no i...

MARTIN 00-28K Hawaiian Koa Image

MARTIN 00-28K Hawaiian Koa

- similar to the 00-28, except in Hawaiian configuration with koa back and sides, a flat fingerboard with flush frets, a high nut, and a non-slanted saddle, total production of 40 instruments, mfg. 1919-1921, 1926-1933.

MARTIN 00-28 SECOND VERSION Image

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