MARTIN 00-21NY
- similar to the 00-21, except has no pickguard, no fingerboard inlays, and a wide fingerboard, total production of 906 instruments, mfg. 1961-65.
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- similar to the 00-21, except has no pickguard, no fingerboard inlays, and a wide fingerboard, total production of 906 instruments, mfg. 1961-65.
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- Grand Concert body style, spruce top, Brazilian rosewood (1898-1969) or Indian rosewood (1969-1995) back/sides, round soundhole with herringbone rosette (1898-1947, three stripes with 5/herringbone/5 grouping) or regular rosette (1/9/1 grouping), five-ply top binding, two-ply back binding with rosewood (1898-1932), black (1932-36, 1966-1995), or tortoise (1936-1966) outer layer, herringbone backstripe (1898-1947), cedar (1898-1916) or mahogany (1898-1916) neck, 12/19-fret unbound ebony (1898-1947) or rosewood (1947-1995) fingerboard with slotted diamond (1898-1944) or pearl dot (1944-1995) inlays, slotted headstock (1898-1990) or solid headstock (1990-95) with rosewood overlay and screened logo, three-per-side open-style chrome tuners with pearl knobs (1898-1990) or regular tuners (1990-95), rectangular (1898-1929) or belly (1929-1995) ebony (1898-1947) or rosewood (1947-1995) bridge, black bridge pins with white dots, no pickguard (1898-1932), tortoise pickguard (1932-1966), or black pickguard (1966-1995), available in Natural finish, 24.9 in. scale, available as a Special Order, mfg. 1898-1995.
Martin also produced one reissue model with Brazilian rosewood back and sides (Model 00-21B, 1985 only), three models strung for nylon strings (Model 00-21G, 1937-38), three Hawaiian models (Model 00-21H, 1914, 1952, and 1955), and two tenor models (Model 00-21T, 1934 only).
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- Grand Concert body style, solid Sitka spruce top, East Indian rosewood back and sides, round soundhole with three-stripe rosette, white binding, Style 28 back purfling, multi-stripe top and back inlay, select hardwood neck, 14/20-fret ebo...
- similar to the 00-18, except has koa top, back, and sides, total production of 61 instruments, mfg. 1918-1934.
- Grand Concert body style, mahogany top, back, and sides, round soundhole with three thin W/B/W rings, no binding, thin black back stripe, mahogany neck, 12/19-fret (1930-34) or 14/20-fret (1934-1960, 1982-88) rosewood fingerboard with pea...
- similar to the 00-18, except in Hawaiian configuration with a flat fingerboard with flush frets, a high nut, and a non-slanted saddle, total production of 255 instruments, mfg. 1935-1941.
- Grand Concert body style, spruce top, Brazilian rosewood back and sides, round soundhole with pearl rosette, ivory top and back binding, pearl top border, cedar neck, 12/19-fret ivory-bound ebony fingerboard with snowflake inlays starting...
- Grand Concert body style, spruce top, Brazilian rosewood (1898-1917) or mahogany (1917-1993) back and sides, round soundhole with various rosettes (colored wood rope rosette between 1898 and 1902, white line rosette grouped 1/9/1 between...
- similar to the 00-18, except has a single exposed pickup in the upper part of the soundhole and two knobs on the lower treble bout (v, tone), total production of 593 instruments, mfg. 1959-1964.
- similar to the 00-28, except in classical nylon string configuration with fan bracing and a tied bridge, 26.44 in. scale, total production of 1,411 instruments, available as a Special Order, mfg. 1962-1992.