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- Grand Auditorium body style, mahogany top, back, and sides, round soundhole with three thin W/B/W line rosette, no body binding, thin black back stripe, mahogany neck, rosewood fingerboard with pearl dot inlay, mahogany headstock overlay with three-per-side tuners, tortoise pickguard, available in Natural finish, total production of 25 instruments, 24.9 in. scale, mfg. 1952 only.
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- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1907-1942) or Indian rosewood (1970-1985) back and sides, round soundhole with pearl rosette, ivory (1907-1918) or ivoroid (1918-1942, 1970-1985) top and back binding, pea...
- similar to 000-28, except has herringbone top purfling, a herringbone back inlay strip, and a tortoise pickguard, mfg. 2000-mid-01.
- similar to the 000-28, except in classical nylon string configuration with X-bracing, fan patterned, and a pin tied bridge, total production of 17 instruments, mfg. 1937-1955.
- similar to the 000-28, except has a 12-fret neck, total production of 10 instruments, mfg. 1964-67.
- similar to the 000-28, except has a traditional non-adj. truss rod, mfg. 1986-early 1990s.
- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1911-17) or mahogany (1918-present) back and sides, round soundhole with three-stripe rosette (1/9/1 grouping between 1911 and the mid-1930s, inlaid 1/9/1 grouping between...
- similar to the 000-28, except in classical nylon string configuration with fan bracing and a tied bridge, total production of 560 instruments, mfg. 1962-69.
- similar to the 000-28, except has Brazilian rosewood back and sides, scalloped bracing, ivoroid binding, herringbone top purfling, zigzag back stripe, V-shaped neck, chrome tuners, white bridge pins with tortoise dots, and a tortoise pick...
