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- Grand Auditorium body style, mahogany top, back, and sides, round soundhole with three thin W/B/W line rosette, no body binding, thin black back stripe, mahogany neck, rosewood fingerboard with pearl dot inlay, mahogany headstock overlay with three-per-side tuners, tortoise pickguard, available in Natural finish, total production of 25 instruments, 24.9 in. scale, mfg. 1952 only.
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- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1907-1942) or Indian rosewood (1970-1985) back and sides, round soundhole with pearl rosette, ivory (1907-1918) or ivoroid (1918-1942, 1970-1985) top and back binding, pea...
- similar to the 000-28, except in classical nylon string configuration with X-bracing, fan patterned, and a pin tied bridge, total production of 17 instruments, mfg. 1937-1955.
- similar to the 000-28, except has Brazilian rosewood back and sides, total production of six instruments, mfg. 1985 only.
- similar to the 000-18, except in four-string tenor configuration with two-per-side tuners, total production of five instruments, mfg. 1930-1941.
- Grand Auditorium body style, solid spruce top, solid mahogany back and sides, round soundhole with three-stripe rosette (5/9/5 grouping), tortoise top and back binding, mahogany neck, 14/20-fret rosewood fingerboard with slotted diamond i...
- similar to the 000-28, except has a 12-fret neck, total production of 10 instruments, mfg. 1964-67.
- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1902-1969) or Indian rosewood (1969-present) back and sides, round soundhole with three-ring rosette (5/9/5 grouping), ivory (1902-1918), ivoroid (1918-1966), or non-grain...
- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1918-1948) or East Indian rosewood (2004-present) back and sides, round soundhole with three-stripe rosette (abalone pearl ring between two groups of five rings), ivoroid...
