MARTIN 000-28C Classical
- similar to the 000-28, except in classical nylon string configuration with fan bracing and a tied bridge, total production of 560 instruments, mfg. 1962-69.
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- similar to the 000-28, except in classical nylon string configuration with fan bracing and a tied bridge, total production of 560 instruments, mfg. 1962-69.
- similar to 000-28, except has herringbone top purfling, a herringbone back inlay strip, and a tortoise pickguard, mfg. 2000-mid-01.
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- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1902-1969) or Indian rosewood (1969-present) back and sides, round soundhole with three-ring rosette (5/9/5 grouping), ivory (1902-1918), ivoroid (1918-1966), or non-grained white (1966-present) top binding, herringbone top purfling (1902-1947) or six-ply top inlay with white outer layer (1947-present), three-ply back binding with ivory (1902-1918), ivoroid (1918-1966), or non-grained white (1966-present) back binding, zigzag (1902-1947) or chainlink (1947-present) back stripe, cedar (1902-1916) or mahogany (1916-present) neck, 12/19-fret (1902-1934) or 14/20-fret (1934-present) ebony fingerboard with slotted diamond inlays (1902-1944) or pearl dot inlays (1944-present), slotted (1902-1934) or solid (1934-present) headstock with rosewood overlay and raised gold foil logo, three-per-side open-style brass tuners with ivory buttons (1902-1934) or regular tuners (1934-present), ebony rectangular (1902-1929) or belly (1929-present) bridge, black bridge pins with pearl dots, available in Natural finish, 24.9 in. scale, mfg. 1902-present.
Martin also produced one 000-28 in 10-string configuration (1902 only), one 000-28 in 12-string configuration (1936 only), two 000-28s with Style 45 necks (Model 000-28-45, 1938-39), one 000-28 with electronics (Model 000-28E, 1970 only), one 000-28 in Hawaiian configuration (Model 000-28H, 1949 only), one 000-28 in harp configuration with extra sub-bass strings (1906 only), two 000-28 models with the suffix HX (specifications unknown, 1965 only), one 000-28 with a koa top, back, and sides (Model 000-28K, 1921 only), two 000-28s with 12-fret bodies/necks and wide fingerboards (Model 000-28NY, 1962 only), three 000-28s in plectrum configuration (Model 000-28P, 1930 only), and one 000-28 in tenor configuration (Model 000-28T, 1929 only).
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- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1911-17) or mahogany (1918-present) back and sides, round soundhole with three-stripe rosette (1/9/1 grouping between 1911 and the mid-1930s, inlaid 1/9/1 grouping between...
- similar to the 000-16(M), except has a single rounded cutaway, oval soundhole with single nine-ring rosette, pearl dot fingerboard inlays, all black bridge pins, and Natural high-gloss finish, mfg. 1990-95.
- similar to the 000-28, except has a 12-fret neck, total production of 10 instruments, mfg. 1964-67.
- similar to the 000-28, except has a 12-fret neck, total production of 31 instruments, mfg. 1974-77.
- similar to the 000-28, except in classical nylon string configuration with X-bracing, fan patterned, and a pin tied bridge, total production of 17 instruments, mfg. 1937-1955.
- similar to the 000-18, except in four-string tenor configuration with two-per-side tuners, total production of five instruments, mfg. 1930-1941.
- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1902-1954, 1965) or Indian rosewood (1979) back and sides, round soundhole with three-stripe rosette (herringbone surrounded by two five ring groupings between 1902 and 19...
- similar to the 000-45, except has a 12-fret neck, total production of 19 instruments, mfg. 1974-76.