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- similar to the 000-28, except in classical nylon string configuration with X-bracing, fan patterned, and a pin tied bridge, total production of 17 instruments, mfg. 1937-1955.
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- Grand Auditorium body style, mahogany top, back, and sides, round soundhole with three thin W/B/W line rosette, no body binding, thin black back stripe, mahogany neck, rosewood fingerboard with pearl dot inlay, mahogany headstock overlay...
- similar to the 000-28, except has Brazilian rosewood back and sides, scalloped bracing, ivoroid binding, herringbone top purfling, zigzag back stripe, V-shaped neck, chrome tuners, white bridge pins with tortoise dots, and a tortoise pick...
- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1907-1942) or Indian rosewood (1970-1985) back and sides, round soundhole with pearl rosette, ivory (1907-1918) or ivoroid (1918-1942, 1970-1985) top and back binding, pea...
- similar to the 000-16(M), except has a single rounded cutaway, oval soundhole with single nine-ring rosette, pearl dot fingerboard inlays, all black bridge pins, and Natural high-gloss finish, mfg. 1990-95.
- similar to the 000-28, except has Brazilian rosewood back and sides, total production of six instruments, mfg. 1985 only.
- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1902-1954, 1965) or Indian rosewood (1979) back and sides, round soundhole with three-stripe rosette (herringbone surrounded by two five ring groupings between 1902 and 19...
- similar to the 000-28, except has a 12-fret neck, total production of 31 instruments, mfg. 1974-77.
- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1911-17) or mahogany (1918-present) back and sides, round soundhole with three-stripe rosette (1/9/1 grouping between 1911 and the mid-1930s, inlaid 1/9/1 grouping between...
