MARTIN 000-C16/000C-16 Cutaway
- similar to the 000-16(M), except has a single rounded cutaway, oval soundhole with single nine-ring rosette, pearl dot fingerboard inlays, all black bridge pins, and Natural high-gloss finish, mfg. 1990-95.
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- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1907-1942) or Indian rosewood (1970-1985) back and sides, round soundhole with pearl rosette, ivory (1907-1918) or ivoroid (1918-1942, 1970-1985) top and back binding, pearl top borders that go around the fingerboard, zipper-pattern back stripe, cedar (1907-1916) or mahogany (1916-1942, 1970-1985) neck, 12/19-fret (1907-1934) or 14/20-fret (1934-1942, 1970-1985) ivory (1907-1918), ivoroid (1918-1942), or white (1970-1985)-bound ebony fingerboard with pearl diamond/snowflake inlays (1907-1942) or hexagaonal inlays (1970-1985), ivory (1907-1918), ivoroid (1918-1942), or white (1970-1985)-bound slotted (1907-1934) or solid (1934-1942, 1970-1985) headstock with rosewood overlay and torch inlay (1907-1934) or vertical block Martin logo (1934-1942, 1970-1985), three-per-side silver tuners with pearl buttons (1907-1934) or regular tuners (1934-1942, 1970-1985), ivory (1907-1918) or ebony (1918-1942, 1970-1985) bridge, black bridge pins with pearl dots, no pickguard (1907-1932), tortoise pickguard (1932-1942), or black pickguard (1970-1985), available in Natural finish, 24.9 in. scale, total production of 327 instruments, mfg. 1907-1942, 1970-1985.
Martin also produced three 000-45s in seven-string configuration (1911-31), two 000-45s in the 1980s with Brazilian rosewood back and sides (Model 000-45B, 1985 only), two 000-45s in Hawaiian configuration (Model 000-45H, 1937), one 000-45 with a lyre head (1914 only), and one 000-45 with a vine fingerboard inlay (1912 only).
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- similar to the 000-16(M), except has a single rounded cutaway, oval soundhole with single nine-ring rosette, pearl dot fingerboard inlays, all black bridge pins, and Natural high-gloss finish, mfg. 1990-95.
- similar to the 000-45, except has a 12-fret neck, total production of 19 instruments, mfg. 1974-76.
- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1918-1948) or East Indian rosewood (2004-present) back and sides, round soundhole with three-stripe rosette (abalone pearl ring between two groups of five rings), ivoroid...
- Grand Auditorium body style, solid spruce top, Brazilian rosewood (1902-1954, 1965) or Indian rosewood (1979) back and sides, round soundhole with three-stripe rosette (herringbone surrounded by two five ring groupings between 1902 and 19...
- similar to the 000-28, except has Brazilian rosewood back and sides, scalloped bracing, ivoroid binding, herringbone top purfling, zigzag back stripe, V-shaped neck, chrome tuners, white bridge pins with tortoise dots, and a tortoise pick...
- similar to the 000-18, except in four-string tenor configuration with two-per-side tuners, total production of five instruments, mfg. 1930-1941.
- similar to the 000-28, except has a traditional non-adj. truss rod, mfg. 1986-early 1990s.
- similar to the 000-28, except has a 12-fret neck, total production of 10 instruments, mfg. 1964-67.