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- similar to the C-2, except in four-string tenor configuration with two-per-side tuners, total production of 17 instruments (15 with a round soundhole and 2 with f-holes), mfg. 1931-34, 1936.
Extreme rarity precludes accurate pricing.
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- Grand Auditorium-style body, carved spruce top, arched Brazilian rosewood back, Brazilian rosewood sides, two f-holes, seven-ply top body binding with outer ivoroid layer, multi-ply back binding, zipper back stripe, mahogany neck, 14/20-f...
- Grand Auditorium 000-style body, carved spruce top, arched Brazilian rosewood back, Brazilian rosewood sides, round soundhole (1931-33) or two f-holes (1932-1942), three-ply body binding with outer ivoroid layer, 14/20-fret unbound (1931-...
- Grand Auditorium 000-style body, carved spruce top, arched Brazilian rosewood back, Brazilian rosewood sides, round soundhole (1931-33) or two f-holes (1933-34), five-ply top body binding with outer ivoroid layer, zipper pattern back stri...
- Grand Auditorium-style body, carved spruce top, arched mahogany back, mahogany sides, two f-holes, three-ply top and back body binding with outer ivoroid layer, mahogany neck, 14/20-fret unbound ebony fingerboard with white dot inlays, un...
- similar to the C-1, except in four-string tenor configuration with two-per-side tuners, total production of 154 instruments (71 with a round soundhole and 83 with f-holes), mfg. 1931-38.
- Grand Auditorium 000-style body, carved spruce top, arched mahogany back, mahogany sides, round soundhole (1931-34) or two f-holes (1932-1942), black outer layer body binding (1931-35) or three-ply binding with outer ivoroid layer (1935-1...
- Grand Auditorium-style body, carved spruce top, arched Brazilian rosewood back, Brazilian rosewood sides, two f-holes, seven-ply top body binding with outer ivoroid layer, multi-ply back binding, zipper back stripe, mahogany neck, 14/20-f...
- similar to the R-18, except in four-string tenor configuration with two-per-side tuners, total production of 133 instruments, mfg. 1934-1941.
