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- Grand Auditorium-style body, carved spruce top, arched Brazilian rosewood back, Brazilian rosewood sides, two f-holes, seven-ply top body binding with outer ivoroid layer, multi-ply back binding, zipper back stripe, mahogany neck, 14/20-fret ivoroid-bound ebony fingerboard with W/BW inlays near the edge and pearl or pearloid hexagonal inlays starting at the first fret, three-ply headstock binding with outer ivoroid layer, vertical CF Martin logo, three-per-side gold tuners, adj. ebony bridge, gold-plated trapeze tailpiece, raised black pickguard with three-ply binding and outer ivoroid layer, available in dark back and sides with a Shaded Golden Brown top finish, total production of 72 instruments, mfg. 1935-1942.
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- Grand Auditorium 000-style body, carved spruce top, arched Brazilian rosewood back, Brazilian rosewood sides, round soundhole (1931-33) or two f-holes (1932-1942), three-ply body binding with outer ivoroid layer, 14/20-fret unbound (1931-...
- Grand Auditorium 000-style body, carved spruce top, arched mahogany back, mahogany sides, round soundhole (1931-34) or two f-holes (1932-1942), black outer layer body binding (1931-35) or three-ply binding with outer ivoroid layer (1935-1...
- Grand Concert-style body, arched (1933-37) or carved (1937-1942) spruce top, arched mahogany back, mahogany sides, round soundhole (1933 only) or two three-piece (1933-37) or one-piece (1937-1942) f-holes, four-ply body binding with outer...
- similar to the C-1, except in four-string tenor configuration with two-per-side tuners, total production of 154 instruments (71 with a round soundhole and 83 with f-holes), mfg. 1931-38.
- Grand Auditorium-style body, carved spruce top, arched Brazilian rosewood back, Brazilian rosewood sides, two f-holes, seven-ply top body binding with outer ivoroid layer, multi-ply back binding, zipper back stripe, mahogany neck, 14/20-f...
- similar to the C-2, except in four-string tenor configuration with two-per-side tuners, total production of 17 instruments (15 with a round soundhole and 2 with f-holes), mfg. 1931-34, 1936.
- similar to the R-18, except in four-string tenor configuration with two-per-side tuners, total production of 133 instruments, mfg. 1934-1941.
- Grand Auditorium-style body, carved spruce top, arched Brazilian rosewood back, Brazilian rosewood sides, two f-holes, three-ply top and back body binding with outer ivoroid layer, zigzag back stripe, mahogany neck, 14/20-fret ivoroid-bou...
