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- double round cutaway semi-hollow laminated maple body, interior maple block runs down the middle of body between tailpiece and endpin, two unbound f-holes, single-ply body binding, set mahogany neck, 22-fret bound rosewood fingerboard with pearl dot (1958-1962) or block (1962-1981) inlays, black headstock overlay with pearl logo and crown inlays, three-per-side tuners, raised layered black or tortoiseshell pickguard, tune-o-matic bridge, stop tailpiece (1958-1965), trapeze tailpiece (1965-1981), or optional Bigsby tailpiece, two covered humbucker PAF (1958-1962) or Patent No. (1962-1981) pickups, four knobs (two v, two tone, see-through gold bell knobs on early mfg.), three-way pickup switch, coil tap switch on upper treble bout (1977-1981), nickel hardware, available in Cherry (late 1959-1981), Ebony (1974-79), Natural (1958-1960), Sunburst (1958-1970, 1974, 1980-1981), Tobacco Sunburst (1974 only), Walnut (1969-1981), Wine Red (1975-1981), or custom color finishes, 16 in. lower bout width, 1.625 in. body depth, 24.75 in. scale, mfg. 1958-1981.
Some of the earliest ES-335s produced in 1958 have an unbound fingerboard. In 1960, the name changed to ES-335TD. In 1961, a shorter pickguard replaced the pickguard that extended below the bridge. In 1963, 1967, and 1969, some instruments have a single parallelogram fingerboard inlay. Between 1971 and 1979, approx. 130 left-hand ES-335 TD models were manufactured. In late 1981, the original ES-335TD was discontinued in favor of the ES-335 Dot (a return to the 1960 style with dot fingerboard markers). The ES-335 TD Dot is currently known as the ES-335 TD (ESDT). Early ES-335s often have shallow neck angles and accordingly, the ABR-1 bridges on these instruments are shaved much thinner to accomodate the neck angle. Most ES-335s fitted with Bigsby vibratos have a "Custom Made" plate that covers the original tailpiece holes.
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- double round cutaway semi-hollow bound body, arched maple top, f-holes, raised layered black pickguard, maple back/sides/neck, 22-fret rosewood fingerboard with pearl block inlays, tune-o-matic bridge/stop tailpiece, blackface peghead wit...
- jumbo style, spruce top, raised bound black pickguard, 3-stripe bound body, maple back/sides/neck, 14/20-fret bound rosewood fingerboard with pearl open book inlay, adjustable rosewood bridge/trapeze tailpiece, blackface stairstep peghead...
- arched maple top, molded black pickguard, f-hole, maple back, mahogany sides/neck, 14/20-fret rosewood fingerboard with pearl dot inlay, adjustable rosewood bridge/trapeze tailpiece, 3-per-side tuners with plastic buttons, chrome hardware...
- single cutaway Les Paul shaped semi-hollow body with full maple center block, arched maple top, maple back and sides, cream body binding, set mahogany neck, 22-fret bound rosewood fingerboard with pearloid trapezoid inlays, bound headstoc...
- double round cutaway semi-hollow ES-335-style maple body, two f-holes, cream body binding, mahogany neck, 22-fret bound rosewood fingerboard with pearl dot inlays, black headstock overlay with MOP Gibson logo and crown inlay, three-per-si...
- double round cutaway semi-hollow laminated maple body, single-ply cream body binding, two f-holes in top, set mahogany neck, 22-fret cream bound rosewood fingerboard with pearl block inlays, black headstock overlay with pearl Gibson logo,...
- similar to ES-125 T, except has a 3/4 size body, 22 3/4 in. scale, mfg. 1957-1970.
- similar to the ES-125T, except has a single cutaway and two pickups, available in Cherry Sunburst, and Tobacco Sunburst during 1960 only (ES-125 TCD), mfg. 1960-1970, ES-125 TCD mfg. circa 1960 only, followed by the TDC suffix 1961-1970.
