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- single pointed cutaway body, arched spruce top, f-holes, raised laminated pickguard, bound body, carved maple back/sides, mahogany neck, 19-fret bound rosewood fingerboard with pearl parallelogram inlay, adjustable rosewood bridge/trapeze...
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- arched carved spruce top, oval soundhole, wooden inlay rosette, raised tortoiseshell pickguard, bound soundhole/body, maple back/sides, mahogany neck, 12/20-fret bound ebony pointed fingerboard with pearl dot inlay, ebony bridge/trapeze tailpiece with black pins, bound blackface peghead with pearl logo inlay, three-per-side tuners with buttons, available in Black finish, mfg. 1912-1956.
16.25 in. by 20.25 in. body. In 1914, three-ring rosette, Mahogany finish replaced original part/design, Black and Orange finishes became an option. In 1918, Mahogany Sunburst finish replaced previous part/design. By 1920, rosette and peghead logo inlay were redesigned. In 1923, tailpiece pins were removed. In 1927, rosette was redesigned. In 1928, round soundhole 14/20-fret unbound fingerboard, unbound peghead replaced original part/design, two-ring rosette, redesigned peghead logo replaced previous part/design. By 1933, bound fingerboard replaced previous part/design, pearl diamond peghead inlay was added. In 1935, f-holes, bound pickguard, redesigned fingerboard inlay, redesigned trapeze tailpiece, bound peghead with lily inlay replaced previous part/design. In 1937, unbound pickguard replaced previous part/design, round soundhole was an option.
In 1940, Natural finish was an option. In 1941, unbound peghead replaced previous part/design. In 1946, bound pickguard, multi-bound body replaced previous part/design. In 1947, laminated pickguard, parallelogram fingerboard inlay replaced previous part/design.
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- small body L-style guitar with a circular lower bout, spruce top, mahogany back and sides, round soundhole with two-stripe rosette, top and back binding, mahogany neck, 12/19-fret bound ebony fingerboard with pearl dot inlays, black heads...
- slightly arched spruce top, mahogany back/sides/neck, bound body, bound rosewood fingerboard with dot inlay, rosewood bridge, "The Gibson" headstock logo, special round Nick Lucas label, this model underwent redesign several tim...
- similar to L-30, except has Red Mahogany Sunburst finish, mfg. 1935-1941.
- similar to the L-7C, except has either one (L-7CE) or two pickups (L-7 CED), available in Sunburst (most common) or Natural (L-7 CEN) finish, mfg. 1948-1954.
- carved spruce top, bound round soundhole, raised tortoiseshell pickguard, bound body, two-rope pattern rosette, birch back/sides, maple neck, 13/19-fret ebony fingerboard with pearl dot inlay, ebony bridge/trapeze tailpiece, slotted peghe...
- custom shop model with customer selected wood, without active transducer pickup, available in Antique Natural finish, mfg. 1999-2002, reintroduced 2004.
- features Gibson´s Advanced 00 body design, spruce top, bubinga back/sides, rosewood fingerboard/bridge, mahogany neck, abalone fingerboard inlays and rosette, active transducer, available in Antique Natural finish, mfg. 1999-2005.
- acoustic hollowbody, arched spruce top, carved maple back/sides, two f-holes, bound body, mahogany neck, 14/19-fret bound ebony fingerboard with elaborate hollow rectangle inlays that have a different design in each one, bound black heads...
