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- concert body style, solid spruce top, Brazilian rosewood back and sides, round soundhole with pearl rosette, ivory top and back binding, herringbone top purfling, cedar neck, 12/19-fret ivory-bound ebony fingerboard with pearl slotted diamond inlays at the 5th and 9th frets and a Maltese cross at the 7th fret, ivory-bound slotted headstock, three-per-side open-style silver brass tuners, pyramid ivory bridge, ebony bridge pins with pearl dots, available in Natural finish, mfg. 1898-99, 1907.
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- concert body style, solid spruce top, Brazilian rosewood back and sides, round soundhole with pearl rosette, ivory (1899-1918) or ivoroid (1918-1921) top and back binding, cedar (1899-1916) or mahogany (1916-1921) neck, 12/19-fret ivory (...
- concert body style, mahogany top, back, and sides, round soundhole with three thin W/B/W rings, three-ply top binding with rosewood outer layer (1929-1930, no binding after 1930), mahogany neck, 12/20-fret (1929-1931) or 14/20-fret (1932-...
- similar to the 0-21, except has koa top, back, and sides, mfg. 1919-1929.
- concert body style, solid sitka spruce top, mahogany back and sides, round soundhole with old style 18 multi-stripe rosette, faux tortoise binding, multi-stripe top inlay, style 18 back purfling, select hardwood neck, 14/20-fret ebony fin...
- similar to the 0-15, except in four-string tenor configuration and two-per-side tuners, mfg. 1960-63.
- concert body style, solid spruce top, Brazilian rosewood back and sides, round soundhole with three-stripe rosette (5/9/5 grouping), six-ply top binding with ivory (1913-1918) or ivoroid (1918-1931) outer layer, three-ply back binding wit...
- concert body style, solid spruce top, rosewood back and sides, round soundhole with three ring rosette (5/herringbone/5 grouping between 1898 and 1947, 1/9/1 grouping between 1947 and 1948), five-ply top binding, two-ply back binding with...
- similar to the 0-17, except in four-string tenor configuration and two-per-side tuners, mfg. 1932-1960.
