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- concert body style, spruce top, mahogany back and sides, round soundhole with three black rings, three-ply top binding with rosewood outer layer, rosewood back binding, cedar (1906-1916) or mahogany (1916-17) neck, 12/20-fret ebony fingerboard with pearl dot inlay, slotted headstock, three-per-side nickel tuners with plastic buttons, ebony bridge, black bridge pins, available in Natural finish, mfg. 1906-1917.
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- concert body style, solid spruce top, Brazilian rosewood back and sides, round soundhole with three-stripe rosette (5/9/5 grouping), six-ply top binding with ivory (1913-1918) or ivoroid (1918-1931) outer layer, three-ply back binding wit...
- concert body style, spruce top, mahogany back and sides, round soundhole with three-stripe rosette, black binding, mahogany neck, 12/19-fret extra-wide rosewood fingerboard with no inlays, slotted headstock with gold foil logo, three-per-...
- similar to the 0-17, except in four-string tenor configuration and two-per-side tuners, mfg. 1932-1960.
- concert body style, spruce top, mahogany back and sides, round soundhole with three-stripe rosette (1/9/1 grouping), three-ply top binding with black outer layer, mahogany neck, 14/20-fret rosewood fingerboard, three-per-side tuners, rect...
- concert body style, mahogany top, back, and sides, round soundhole with thin three-stripe (W/B/W) rosette, no binding, mahogany neck, 14/20-fret rosewood fingerboard with single white dot inlays, rosewood headstock overlay with logo decal...
- concert body style, solid spruce top, rosewood back and sides, round soundhole with three ring rosette (5/herringbone/5 grouping between 1898 and 1947, 1/9/1 grouping between 1947 and 1948), five-ply top binding, two-ply back binding with...
- similar to the 0-28, except in four-string tenor configuration and two-per-side tuners, mfg. 1930-31, 1941, 1961, 1964.
- similar to the 0-17 Second Version, except in Hawaiian configuration with a flat fingerboard with flush frets, a high nut, and a non-slanted saddle, mfg. 1930-39.
