MARTIN 0-17H Hawaiian
- similar to the 0-17 Second Version, except in Hawaiian configuration with a flat fingerboard with flush frets, a high nut, and a non-slanted saddle, mfg. 1930-39.
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- similar to the 0-17 Second Version, except in Hawaiian configuration with a flat fingerboard with flush frets, a high nut, and a non-slanted saddle, mfg. 1930-39.
- similar to the 0-17, except in four-string tenor configuration and two-per-side tuners, mfg. 1932-1960.
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- concert body style, mahogany top, back, and sides, round soundhole with three thin W/B/W rings, three-ply top binding with rosewood outer layer (1929-1930, no binding after 1930), mahogany neck, 12/20-fret (1929-1931) or 14/20-fret (1932-1948, 1966-68) rosewood fingerboard with double pearl dot inlays, slotted (1929-1934) or solid (1929-1934) headstock, three-per-side open-style nickel tuners with plastic buttons (1929-1934) or regular tuners (1934-1948, 1966-68), rectangular rosewood bridge, black bridge pins, no pickguard (1929-1934) tortoise pickguard (1932-1948), or black pickguard (1966-68), available in Natural gloss finish, mfg. 1929-1948, 1966-68.
A pickguard was optional between 1932 and 1934. The 0-17 and 0-15 models are nearly identical with the only differences being the 0-17 has body binding and a gloss finish.
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- similar to the 0-21, except has koa top, back, and sides, mfg. 1919-1929.
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- similar to the 0-28, except has koa top, back, and sides, mfg. 1917-1935.
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