No. of Strings
--
Body Type
--
No. of Frets
--
Weight
--
You are currently viewing the free portion of the Blue Book of Guitar Values. To unlock full access, choose a subscription for more benefits including access to all guitar values, pricing history, create a collection and more!
- single round cutaway maple body, arched laminated spruce top with stylized G logo on lower bass bout, double bound top and back, two double-bound f-holes, maple neck, 22-fret bound rosewood fingerboard with pearl Western motif engraved block inlay, bound blackface headstock with steerhead/logo inlay, three-per-side tuners, adj. bridge, Bigsby vibrato tailpiece, raised gold pickguard with Chet Atkins' sign post signature and logo, two exposed DeArmond pickups, three knobs on lower treble bout, one knob on upper treble bout, one switch on upper bass bout, gold hardware, available in Red, Red Amber, or Western Orange finish, 16 in. body width, 2.875 in. body depth, 24.75 in. scale, mfg. 1954-1980.
Some models were available with body matching pegheads. In 1955, the top was changed to maple and the first fret became engraved. In 1956, the engraved fingerboard inlays were disc., a horseshoe peghead inlay replaced the steer's head, and the vibrato unit was nickel plated. In 1957, humptop fingerboard inlays were introduced and and the G logo on the top was disc. In 1958, an ebony fingerboard with thumbnail inlays, an adj. bar bridge, and Filter'Tron pickups were introduced, and a three-way tone switch was added to the upper bass bout. In 1959, a Gretsch/Bigsby vibrato and zero fret were introduced. In 1961, the body was changed to a double round cutaway semi-hollow style with painted f-holes, the pickguard had no signpost around Chet Atkins' signature, a string mute, mute/standby switches (a few models were produced with a mute control) and back pad were introduced. In 1964, this model was renamed the Nashville, with Chet Atkins Nashville on pickguard and peghead mounted nameplate. In 1971, this model was renumbered 7660. In 1972, a tune-o-matic bridge and elongated headstock were added, and the string mute, mute switch, and nameplate were removed. In 1973, open f-holes were introduced. In 1975, a tubular vibrato arm was introduced, hardware became chrome plated, and the standby switch was removed. In 1979, flat vibrato arm replaced tubular arm.
0
Based on 0 reviews
5
0%
4
0%
3
0%
2
0%
1
0%
There are no reviews yet
Be the first to leave a review.
- similar to the Nashville/Chet Atkins Hollow Body 1959 Reissue Model G6120-1959, except has TV Jones pickups, available in Vintage Orange finish, mfg. summer 2006-present.
- similar to the Nashville 1960 Reissue, except in left-handed configuration, mfg. late 1994-2006.
- similar to the Nashville/Chet Atkins Hollow Body Model G6120, except has Dynasonic pickups, available in Western Maple Stain finish, mfg. 2003-present.
- similar to the Nashville/Chet Atkins Hollow Body Model G6120, except in left-handed configuration, available in Orange Stain finish, mfg. late 1994-present.
- single cutaway hollow body based on the original 1959 Gretsch Chet Atkins model, arched laminated maple top, laminated maple back and sides, two bound oversized f-holes, multiple body binding, two-piece maple neck, 22-fret plus zero fret...
- similar to the Nashville/Chet Atkins Country Gentleman Model G6120 model except is in double cutaway configuration, TV Jones Pickups (2004-present), available in Orange Stain finish, mfg. 2003-present.
- similar to the Nashville, except has two necks (six-string and 12-string) with controls and pickups for each neck, and a Bigsby on the six-string, available in Orange Stain finish, mfg. 1997-2007.
- similar to Nashville, except features full scale neck/half scale body, available in Brilliant Orange finish, disc. 1999.
