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- double sharp cutaway mahogany body/neck, 20-fret rosewood fingerboard with pearl dot inlay, fixed bridge with metal cover, blackface peghead with screened logo, 2-per-side tuners, chrome hardware, 2 single coil pickups with metal rings, volume/tone control, 3-position switch, control plate, available in Walnut finish, approx. 900 mfg. 1971-73.
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- double sharp cutaway mahogany body/neck, thumbrest, 20-fret rosewood fingerboard with pearl dot inlay, bar bridge with metal cover, blackface peghead with pearl logo inlay, 2 covered humbucker pickups, volume/tone control, 2 on/off switch...
- Steinberger-style maple body with straight line edges and an extended bass horn, bolt-on maple neck, 24-fret ebony fingerboard with dot inlays, narrow headstock with black overlay, two-per-side offset Sperzel tuners, standard bridge with...
- similar to Gibson IV, except has 5 strings, 3/2-per-side tuners, mfg. 1987-89.
- single cutaway Les Paul shaped semi-hollow body with full maple center block, arched maple top, maple back and sides, cream body binding, set mahogany neck, 22-fret bound rosewood fingerboard with pearloid trapezoid inlays, bound headstoc...
- slightly offset double cutaway Grabber-style maple body, set maple neck with a slim/fast profile, 20-fret baked maple (appears dark) fingerboard with acrylic dot inlays, arrow-shaped headstock with black overlay and Gibson logo, two-per-s...
- similar to Victory Artist, except has 1 humbucker pickup, volume/tone control, phase switch, no active electronics, available in Candy Apple Red or Silver finish, mfg. 1981-87.
- V-shaped Flying V-style mahogany body, set mahogany slim profile neck, 22-fret baked maple (appears dark) fingerboard with acylic dot inlays, Flying V-style "Flying Arrow" headstock with black overlay, gold Gibson logo engraved...
- V-shaped alder body, maple neck, 21-fret rosewood fingerboard with pearl dot inlays, upside down V-shaped blackface headstock with gold Gibson logo, bell truss rod cover with "V Bass" logo, two-per-side tuners, combination bridg...
