Electric Mandolins

Models (4)

- symmetrical body (similar to Gibson Style A), laminated maple body, no sound holes, white body binding, mahogany neck, 10/20 rosewood fingerboard with dot inlays, painted headstock with logo, four-per-side tuners, single oblong bar pickup, volume and tone controls on either side of the bridge, input jack, nickel hardware, available in Sunburst finish, mfg. 1939-1949.
In 1941, the center-dip style headstock was introduced, the pickup was no mounted on the plastic plate, and f-holes were introduced.
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Electar Model M

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- symmetrical body (similar to Gibson Style A), laminated curly maple body, no sound holes, white body binding, maple neck, 12/22 bound rosewood fingerboard with dot inlays, painted headstock with logo, four-per-side tuners, single oblong bar pickup, volume and two tone controls on either side of the bridge, adj. rosewood bridge, input jack, nickel hardware, available in Sunburst finish, mfg. 1937-39.
This model was renamed the Century in 1939, with a few changes.
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Venetian (Gibson Made, Model EM66)

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- symmetrical shaped (similar to Gibson Style A), maple back and sides, bound rosewood fingerboard with dot inlays, four-per-side tuners, available in Sunburst finish, mfg. 1961-1970.
The electric version was introduced in 1966. The electric version had a P-90 pickup.
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- symmetrical body (similar to Gibson Style A), laminated curly maple body, f holes, triple-ply body binding, maple neck, 12/22 bound rosewood fingerboard with blcok inlays, center dip headstock with logo, four-per-side tuners, single four-pole pickup, volume and tone controls on either side of the bridge, adj. rosewood bridge, input jack, nickel hardware, available in Natural finish, mfg. 1939-1957.
In 1950, the neck was changed to cherry, the use of Mastervoicer controls was disc., the knobs and input jack were all on the treble side, an Epiphone E was placed on the pickguard, and the pickup became covered.
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