- classical Grand Concert body style, solid spruce top, mahogany back and sides, round soundhole with three-stripe rosette (1/9/1 grouping), dark outer top binding, black back stripe, mahogany neck, 12/19-fret rosewood fingerboard with no inlays, slotted headstock, three-per-side open-style tuners with pearl buttons, tied rosewood bridge, available in Natural finish, available as a Special Order, mfg. 1962-1982, 1988.

- Grand Concert body style, spruce top, mahogany back and sides, round soundhole with three black rings, three-ply top binding with rosewood outer layer, rosewood back binding, cedar (1908-1916) or mahogany (1916-17) neck, unbound ebony fingerboard, rectangular ebony bridge, available in Natural finish, mfg. 1908-1917.

- Grand Concert body style, mahogany top, back, and sides, round soundhole with three thin W/B/W rings, no binding, thin black back stripe, mahogany neck, 12/19-fret (1930-34) or 14/20-fret (1934-1960, 1982-88) rosewood fingerboard with pearl dot inlays, slotted headstock (1930-34) or solid headstock (1934-1960, 1982-88), three-per-side open-style tuners (1930-34) or regular tuners (1934-1960, 1982-88), rectangular rosewood bridge, no pickguard (1930-34), tortoise pickguard (1932-1960), or black pickguard (1982-88), available in Natural finish, total production of 13,407 instruments, mfg. 1930-1960, 1982-88.

- similar to the 00-17 Second Version, except in Hawaiian configuration with a flat fingerboard with flush frets, a high nut, and a non-slanted saddle, total production of 20 instruments, mfg. 1934-35.

- Grand Concert body style, spruce top, Brazilian rosewood (1898-1917) or mahogany (1917-1993) back and sides, round soundhole with various rosettes (colored wood rope rosette between 1898 and 1902, white line rosette grouped 1/9/1 between 1902 and the mid-1930s, inlaid white lines grouped 1/9/1 between the mid-1930s and 1988, and inlaid 5/9/5 grouping between 1988 and 1993), five-ply top binding, single-ply back binding with rosewood (1898-1932), black (1932-36, 1966-1993), or tortoise (1936-1966) outer layer, black backstripe, cedar (1898-1916) or mahogany (1916-1993) neck, 12/19-fret (1898-1934) or 14/20-fret (1934-1993) unbound ebony (1898-1939) or rosewood (1935-1993) fingerboard with no inlays (1898-1902) or pearl dot inlays (1902-1993), slotted (1898-1934) or solid (1934-1993) headstock, three-per-side open-style tuners (1898-1934) or regular tuners (1934-1993), rectangular (1898-1929) or belly (1929-1993) ebony bridge, no pickguard (1898-1932) tortoise pickguard (1932-1966), or black pickguard (1966-1993), Natural finish, 24.9 in. scale, available as a Special Order, mfg. 1898-1993.

- 00-14 fret body style, solid Sitka spruce top, genuine mahogany back and sides, X scalloped bracing, round soundhole with old Style 18 multi-stripe rosette, faux tortoise binding, multi-stripe top inlay, style 18 back purfling, select hardwood neck, 14/20-fret ebony fingerboard with old Style 18 abalone dot inlays, East Indian rosewood headstock overlay, script old style logo, three-per-side nickel open gear tuners with butterbean knobs, ebony modern belly bridge with drop in saddle, black plastic bridge pins, faux tortoise pickguard, optional electronics, available in gloss finish with a satin neck, 24.9 in. scale, 1.75 in. nut width, hardshell case included, mfg. Summer 2016-present.

- similar to the 00-18, except in classical nylon string configuration with a 12-fret body, 12/19-fret fingerboard, slotted headstock, fan bracing, and a tied bridge, 26.44 in. scale, total production of 4,351 instruments, available as a Special Order, mfg. 1962-1992.

- similar to the 00-18, except has a single exposed pickup in the upper part of the soundhole and two knobs on the lower treble bout (v, tone), total production of 593 instruments, mfg. 1959-1964.

- similar to the 00-18, except in classical nylon string configuration with X-bracing, fan patterned, and a pin tied bridge, total production of 5,140 instruments, mfg. 1936-1962.

- similar to the 00-18, except in Hawaiian configuration with a flat fingerboard with flush frets, a high nut, and a non-slanted saddle, total production of 255 instruments, mfg. 1935-1941.

- similar to the 00-18, except has koa top, back, and sides, total production of 61 instruments, mfg. 1918-1934.

- similar to the 00-18, except in four-string tenor configuration and two-per-side tuners, total production of six instruments, mfg. 1931, 1936, 1938-1940.

- Grand Concert body style, spruce top, Brazilian rosewood (1898-1969) or Indian rosewood (1969-1995) back/sides, round soundhole with herringbone rosette (1898-1947, three stripes with 5/herringbone/5 grouping) or regular rosette (1/9/1 grouping), five-ply top binding, two-ply back binding with rosewood (1898-1932), black (1932-36, 1966-1995), or tortoise (1936-1966) outer layer, herringbone backstripe (1898-1947), cedar (1898-1916) or mahogany (1898-1916) neck, 12/19-fret unbound ebony (1898-1947) or rosewood (1947-1995) fingerboard with slotted diamond (1898-1944) or pearl dot (1944-1995) inlays, slotted headstock (1898-1990) or solid headstock (1990-95) with rosewood overlay and screened logo, three-per-side open-style chrome tuners with pearl knobs (1898-1990) or regular tuners (1990-95), rectangular (1898-1929) or belly (1929-1995) ebony (1898-1947) or rosewood (1947-1995) bridge, black bridge pins with white dots, no pickguard (1898-1932), tortoise pickguard (1932-1966), or black pickguard (1966-1995), available in Natural finish, 24.9 in. scale, available as a Special Order, mfg. 1898-1995.

- similar to the 00-21, except has no pickguard, no fingerboard inlays, and a wide fingerboard, total production of 906 instruments, mfg. 1961-65.

- Grand Concert body style, solid spruce top, koa back and sides, round soundhole with three-stripe rosette (5/9/5 grouping), five-ply top binding with black outer layer, black back binding, chainlink back stripe, mahogany neck, 14/20-fret unbound rosewood fingerboard with pearl dot inlays, three-per-side chrome tuners, rosewood bridge, black bridge pins with white dots, tortoise pickguard, Natural finish, 24.9 in. scale, total production of 128 instruments, mfg. 1980, 1985, and 1988.

- similar to the 00-25K Koa, except has a koa top, total production of 54 instruments, mfg. 1980-89.

- Grand Concert body style, solid spruce top, Brazilian rosewood (1898-1941, 1958) or Indian rosewood (1977, 1984) back and sides, round soundhole with three-stripe rosette (5/9/5 grouping), ivory (1898-1918), ivoroid (1918-1941, 1958), or non-grained white (1977, 1984) top binding, herringbone top purfling (1898-1941) or six-ply top inlay with white outer layer (1958, 1977, 1984), three-ply back binding with ivory (1898-1918), ivoroid (1918-1941, 1958), or non-grained white (1977, 1984) outer layer, zigzag (1898-1941) or chainlink (1958, 1977, 1984) back stripe, cedar (1898-1916) or mahogany (1916-1941, 1958, 1977, 1984) neck, 12/19-fret unbound ebony fingerboard with no inlays (1898-1901), slotted diamond inlays (1901-1941), or pearl dot inlays (1958, 1977, 1984), slotted headstock with rosewood overlay, three-per-side open-style tuners, rectangular (1898-1929) or belly (1929-1941, 1958, 1977, 1984) ebony bridge, no pickguard (1898-1932), tortoise pickguard (1932-1941, 1958), or black pickguard (1977, 1984), available in Natural finish, 24.9 in. scale, total production of 758 instruments, mfg. 1898-1941, 1958, 1977, and 1984.

- similar to the 00-28, except in classical nylon string configuration with fan bracing and a tied bridge, 26.44 in. scale, total production of 1,411 instruments, available as a Special Order, mfg. 1962-1992.

- similar to the 00-28, except in classical nylon string configuration with X-bracing, fan patterned, and a pin tied bridge, total production of 1,531 instruments, mfg. 1936-1962.

- similar to the 00-28, except in Hawaiian configuration with koa back and sides, a flat fingerboard with flush frets, a high nut, and a non-slanted saddle, total production of 40 instruments, mfg. 1919-1921, 1926-1933.