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- similar to the 00-18, except in classical nylon string configuration with a 12-fret body, 12/19-fret fingerboard, slotted headstock, fan bracing, and a tied bridge, 26.44 in. scale, total production of 4,351 instruments, available as a Sp...
- similar to the 00-18, except has a single exposed pickup in the upper part of the soundhole and two knobs on the lower treble bout (v, tone), total production of 593 instruments, mfg. 1959-1964.
- similar to the 00-18, except in classical nylon string configuration with X-bracing, fan patterned, and a pin tied bridge, total production of 5,140 instruments, mfg. 1936-1962.
- similar to the 00-18, except in Hawaiian configuration with a flat fingerboard with flush frets, a high nut, and a non-slanted saddle, total production of 255 instruments, mfg. 1935-1941.
- similar to the 00-18, except has koa top, back, and sides, total production of 61 instruments, mfg. 1918-1934.
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- Grand Concert body style, spruce top, Brazilian rosewood (1898-1917) or mahogany (1917-1993) back and sides, round soundhole with various rosettes (colored wood rope rosette between 1898 and 1902, white line rosette grouped 1/9/1 between 1902 and the mid-1930s, inlaid white lines grouped 1/9/1 between the mid-1930s and 1988, and inlaid 5/9/5 grouping between 1988 and 1993), five-ply top binding, single-ply back binding with rosewood (1898-1932), black (1932-36, 1966-1993), or tortoise (1936-1966) outer layer, black backstripe, cedar (1898-1916) or mahogany (1916-1993) neck, 12/19-fret (1898-1934) or 14/20-fret (1934-1993) unbound ebony (1898-1939) or rosewood (1935-1993) fingerboard with no inlays (1898-1902) or pearl dot inlays (1902-1993), slotted (1898-1934) or solid (1934-1993) headstock, three-per-side open-style tuners (1898-1934) or regular tuners (1934-1993), rectangular (1898-1929) or belly (1929-1993) ebony bridge, no pickguard (1898-1932) tortoise pickguard (1932-1966), or black pickguard (1966-1993), Natural finish, 24.9 in. scale, available as a Special Order, mfg. 1898-1993.
The rosewood fingerboard was formally introduced in 1940, but examples have been found with rosewood as early as 1935.
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- Grand Concert body style, spruce top, Brazilian rosewood back and sides, round soundhole with three-stripe rosette (5/9/5 grouping), six-ply top binding with ivory (1913-18) or ivoroid (1918-1922) outer layer, three-ply back binding with...
- Grand Concert body style, solid spruce top, Brazilian rosewood (1898-1941, 1958) or Indian rosewood (1977, 1984) back and sides, round soundhole with three-stripe rosette (5/9/5 grouping), ivory (1898-1918), ivoroid (1918-1941, 1958), or...
- similar to the 00-40, except has koa top, back, and sides, total production of nine instruments, mfg. 1917-18, 1930.
- Grand Concert body style, spruce top, Brazilian rosewood back and sides, round soundhole with pearl rosette, ivory top and back binding, pearl top border, cedar neck, 12/19-fret ivory-bound ebony fingerboard with snowflake inlays starting...
- similar to the 00-25K Koa, except has a koa top, total production of 54 instruments, mfg. 1980-89.
- 00-14 fret body style, solid Sitka spruce top, genuine mahogany back and sides, X scalloped bracing, round soundhole with old Style 18 multi-stripe rosette, faux tortoise binding, multi-stripe top inlay, style 18 back purfling, select har...
- similar to the 00-40, except in Hawaiian configuration with a flat fingerboard with flush frets, a high nut, and a non-slanted saddle, total production of 244 instruments, mfg. 1928-1939.
- similar to the 00-17 Second Version, except in Hawaiian configuration with a flat fingerboard with flush frets, a high nut, and a non-slanted saddle, total production of 20 instruments, mfg. 1934-35.
