MARTIN 00-28C Classical
- similar to the 00-28, except in classical nylon string configuration with fan bracing and a tied bridge, 26.44 in. scale, total production of 1,411 instruments, available as a Special Order, mfg. 1962-1992.
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- similar to the 00-28, except in classical nylon string configuration with fan bracing and a tied bridge, 26.44 in. scale, total production of 1,411 instruments, available as a Special Order, mfg. 1962-1992.
- similar to the 00-28, except in classical nylon string configuration with X-bracing, fan patterned, and a pin tied bridge, total production of 1,531 instruments, mfg. 1936-1962.
- similar to the 00-28, except in Hawaiian configuration with koa back and sides, a flat fingerboard with flush frets, a high nut, and a non-slanted saddle, total production of 40 instruments, mfg. 1919-1921, 1926-1933.
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- Grand Concert body style, solid spruce top, Brazilian rosewood (1898-1941, 1958) or Indian rosewood (1977, 1984) back and sides, round soundhole with three-stripe rosette (5/9/5 grouping), ivory (1898-1918), ivoroid (1918-1941, 1958), or non-grained white (1977, 1984) top binding, herringbone top purfling (1898-1941) or six-ply top inlay with white outer layer (1958, 1977, 1984), three-ply back binding with ivory (1898-1918), ivoroid (1918-1941, 1958), or non-grained white (1977, 1984) outer layer, zigzag (1898-1941) or chainlink (1958, 1977, 1984) back stripe, cedar (1898-1916) or mahogany (1916-1941, 1958, 1977, 1984) neck, 12/19-fret unbound ebony fingerboard with no inlays (1898-1901), slotted diamond inlays (1901-1941), or pearl dot inlays (1958, 1977, 1984), slotted headstock with rosewood overlay, three-per-side open-style tuners, rectangular (1898-1929) or belly (1929-1941, 1958, 1977, 1984) ebony bridge, no pickguard (1898-1932), tortoise pickguard (1932-1941, 1958), or black pickguard (1977, 1984), available in Natural finish, 24.9 in. scale, total production of 758 instruments, mfg. 1898-1941, 1958, 1977, and 1984.
Martin also produced two tenor 00-28 instruments (Model 00-28T, 1931, 1940).
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- 00-14 fret body style, solid Sitka spruce top, genuine mahogany back and sides, X scalloped bracing, round soundhole with old Style 18 multi-stripe rosette, faux tortoise binding, multi-stripe top inlay, style 18 back purfling, select har...
- Grand Concert body style, spruce top, Brazilian rosewood (1904-1938) or Indian rosewood (1970-1993) back and sides, round soundhole with pearl rosette, ivory (1904-1918) or ivoroid (1918-1938, 1970-1993) top binding, pearl inlay border ar...
- Grand Concert body style, solid spruce top, koa back and sides, round soundhole with three-stripe rosette (5/9/5 grouping), five-ply top binding with black outer layer, black back binding, chainlink back stripe, mahogany neck, 14/20-fret...
- similar to the 00-40, except has koa top, back, and sides, total production of nine instruments, mfg. 1917-18, 1930.
- Grand Concert body style, spruce top, Brazilian rosewood back and sides, round soundhole with three-stripe rosette (5/9/5 grouping), six-ply top binding with ivory (1913-18) or ivoroid (1918-1922) outer layer, three-ply back binding with...
- classical Grand Concert body style, solid spruce top, mahogany back and sides, round soundhole with three-stripe rosette (1/9/1 grouping), dark outer top binding, black back stripe, mahogany neck, 12/19-fret rosewood fingerboard with no i...
- similar to the 00-18, except in Hawaiian configuration with a flat fingerboard with flush frets, a high nut, and a non-slanted saddle, total production of 255 instruments, mfg. 1935-1941.
- similar to the 00-21, except has no pickguard, no fingerboard inlays, and a wide fingerboard, total production of 906 instruments, mfg. 1961-65.