MARTIN OMC-28B Laurence Juber (2004)
- similar to the OMC-28 Laurence Juber, except has solid Brazilian rosewood back, sides, and headstock overlay, limited edition run of 50 instruments, mfg. 2004 only.
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- Grand Auditorium 14-fret 0000/M-style body, solid Engelmann spruce top, solid East Indian rosewood back and sides, J1 hybrid scalloped bracing, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large center ring of abalone pearl), grained ivoroid binding, bold herringbone top inlay, B/W back and side inlays, solid mahogany neck, 14/20-fret grained ivoroid/mitered-bound ebony fingerboard with Style 42 snowflake, 4th-5th fret MOP smiling banjo, and 19th-20th fret "Philadelphia Folk Festival" inlays, bound ebony headstock with alternate torch pearl inlay and C.F. Martin stamp on the back of the headstock, solid Brazilian rosewood belly bridge, white bridge pins with abalone dots, tortoise color beveled pickguard, two labels with one signed by CFM IV and David Baskin and the other signed by the Philly Folk Festival even participants and numbered in sequence, Natural polished gloss finish with Vintage Toner top and Dark Filler back and sides, 25.4 in. scale, case included, limited edition run of 85 instruments, mfg. 2002 only.
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- similar to the OMC-28 Laurence Juber, except has solid Brazilian rosewood back, sides, and headstock overlay, limited edition run of 50 instruments, mfg. 2004 only.
- single cutaway Grand Auditorium M/0000-style body, solid Italian Alpine spruce top, solid highly flamed Hawaiian koa back and sides, single ring fine herringbone rosette, ebony binding, black/white boltaron top/back/side inlays, select ha...
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