No. of Strings
6
Body Type
--
No. of Frets
22
Weight
--
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- similar to SG I, except has two single coil pickups, and two slide switches, available in Cherry Sunburst finish, approx. 950 were mfg. 1972-77.
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- double sharp cutaway SG-style mahogany body, set mahogany SG slim taper profile neck, 22-fret bound rosewood fingerboard with white acrylic trapezoid inlays, black headstock overlay with MOP Gibson logo and holly inlay, three-per-side tun...
- double cutaway SG-style mahogany body with beveled edges, set mahogany neck, 22-fret rosewood fingerboard with pearl dot inlays, black headstock overlay with Gibson logo, three-per-side tuners, wraparound bridge/tailpiece, black triangula...
- similar to SG Special, except has a faded finish, crescent moon fingerboard inlays (2002-mid-2003) or dot fingerboard inlays (mid-2003-present), available in Worn Brown or Worn Cherry finish, gig-bag included, mfg. 2002-2018.
- double sharp cutaway SG-style mahogany body, set maple SG-rounded profile neck, 24-fret bound rosewood fingerboard with figured acrylic trapezoid inlays, black headstock overlay with MOP Gibson logo and gold 50th Anniversary inlay, three-...
- symmetrical sharp double cutaway SG-style mahogany body, AAA carved maple top, set mahogany neck, 24-fret rosewood fingerboard with acrylic trapezoid inlays, black headstock overlay with MOP Gibson logo and holly inlay, three-per-side Gro...
- double cutaway mahogany body (same size as SG Standard), mahogany neck, 22-fret rosewood fingerboard with pearl dot inlay, stop tailpiece, blackface peghead with pearl logo inlay, three-per-side tuners with plastic buttons, nickel hardwar...
- SG body style, Korina three-piece body with rosewood center, gold plated hardware, available in Antique Natural finish. Limited ed. of 500 mfg. 1993-94.
- double sharp cutaway SG-style mahogany body, set mahogany '60s Slim Taper profile neck, 22-fret baked maple (appears dark) fingerboard with acrylic dot inlays, black headstock overlay with gold silkscreen Gibson logo, three-per-side ToneP...
