No. of Strings
6
Body Type
--
No. of Frets
19
Weight
--
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- similar to the ES-125T, except has a single cutaway and two pickups, available in Cherry Sunburst, and Tobacco Sunburst during 1960 only (ES-125 TCD), mfg. 1960-1970, ES-125 TCD mfg. circa 1960 only, followed by the TDC suffix 1961-1970.
This model is the most desirable of the ES-125 Series, mostly because it has been made popular by George Thorogood.
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- single sharp cutaway hollow ES-175-style figured maple body, two f-holes, mahogany neck, 20-fret bound rosewood fingerboard with pearl parallelogram inlays, black headstock overlay with gold Gibson logo and "Herb Ellis" signatur...
- same body size/style as ES-335, maple/poplar laminate top and back, 2 exposed black humbucker pickups, mahogany neck with 10/22-fret rosewood fingerboard with pearloid dot inlays, no pickguard, nickel hardware, electronics similar to ES-3...
- similar to the ES-355 TD, except has stereo output with a Vari-tone rotary switch, available in Cherry or Walnut (1971-1982) finish, mfg. 1959-1982.
- similar to ES-125 T, except has a 3/4 size body, 22 3/4 in. scale, mfg. 1957-1970.
- double rounded cutaway semi-hollow bound body, arched maple top, unbound f-holes, raised layered black or tortoiseshell pickguard, maple back/sides, mahogany neck, 22-fret bound ebony fingerboard with pearl block inlay, tune-o-matic bridg...
- double round cutaway semi-hollow laminated maple body, interior maple block runs down the middle of body between tailpiece and endpin, two unbound f-holes, single-ply body binding, set mahogany neck, 22-fret bound rosewood fingerboard wit...
- similar to the ES-335 DOT/ES-335 Reissue, except has a plain wood top, black body binding, and small block fingerboard inlays, available in Natural, Trans. Blue, or Trans. Red finish, mfg. 1998-99.
- arched maple top, f-holes, raised black pickguard, bound body, maple back, mahogany sides/neck, 14/20-fret rosewood fingerboard with pearl dot inlay, adjustable rosewood bridge/trapeze tailpiece, blackface peghead with pearl logo inlay, 3...
