In 1898, when Martin standardized their configurations, several small bodied models were carried over. Certain models were extremely popular and were produced for several years (such as Size 1 and Size 2) while others were only produced in very limited quantities (such as Size ¼, Size ½, Size ¾, and Size 3). By 1938, all of these models had been discontinued as larger jumbo and dreadnought guitars were quickly becoming the popular acoustic instrument. Most models that were produced in large quantities are individually listed and valued in this section because they are traded quite often in the used marketplace. Other limited quantity models (typically less than 5 produced) are not individually listed because of their lack of market activity. However, we have mentioned all of these guitars including how many and what years they were produced.
Early Size ¼ instruments have dimensions of a 6 3/16 in. lower bout width, 2.875 in. body depth, 12 in. body length, and 17 in. scale. Late Size ¼ instruments have dimensions of a 8 5/16 in. lower bout width, 3 9/16 in. body depth, 12 1/16 in. body length, and a 17 in. scale.
Size ½ instruments have dimensions of a 10.125 in. lower bout width, 3.375 in. body depth, 15 1/16 in. body length, and 20.875 in. scale.
Size 1 instruments have dimensions of a 12 3/4 in. lower bout width, 4 3/16 in. body depth, 18.875 in. body length, and 24.9 in. scale.
Size 2 instruments have dimensions of a 12 in. lower bout width, 4 in. body depth, 18 1/4 in. body length, and 24.5 in. scale.
Size 2½ instruments have dimensions of a 11 5/8 in. lower bout width, 3.875 in. body depth, 17.875 in. body length, and 24.5 in. scale.
Size 3 instruments have dimensions of a 11.25 in. lower bout width, 3 3/16 in. body depth, 17.375 in. body length, and 23.875 in. scale.
Martin produced a variety of different small bodied-sized guitars that were built in very limited quantities. Size ¼ limited quantity Martin's include 22 Model ¼-18 guitars (1918-1931), 14 Model ¼-28 guitars (1972, 1981), and six ¼-12-String guitars (1918). Size ½ limited quantity Martin's include 18 Model ½-18 guitars (1918-19), and one Model ½-21 guitar (1919 only). Size ¾ limited quantity Martin's include four Model ¾-18 guitars (1921) and one Model ¾-21 (1921). Size 2 limited quantity Martin's include two Model 2-34s (1898, although this was a popular configuration before 1898 as well), one Model 2-40 (1909 only), two Model 2-42s (1900 only), four Model 2-45s (1925-27), and two Model 2-45T tenors (1927-28). Size 2½ limited quantity Martin's include five Model 2½-30 guitars (1901-1914) and one Model 2½-42 guitar (1911 only). Size 3 limited quanity Martin's include only one Model 3-17 that was produced in 1908; however, the Model 3-17 was a popular configuration prior to 1898.
- Size 1 body, spruce top, mahogany back and sides, round soundhole with three black rings rosette, three-ply top binding with rosewood outer layer, rosewood back binding, ebony fingerboard with two dot inlays at the 7th fret, rectangular bridge, total production of 145 instruments, mfg. 1906-1917.
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- Size 1 body, mahogany top, back, and sides, round soundhole with three B/W/B rings rosette, no body binding, rosewood fingerboard with two dot inlays at the 7th fret, rectangular bridge, optional pickguard (1932-34), available in Natural flat finish, total production of 1,130 instruments, mfg. 1931-34.
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- similar to the Model 1-17 (Second Version), except in four-string plectrum configuration with two-per-side tuners and a 27 in. scale, total production of 272 instruments, mfg. 1928-1931.
Martin also produced one Model 1-17P Plectrum in five-string configuration (1939).
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- Size 1 body, spruce top, rosewood (1899-1917) or mahogany (1917-1927) back and sides, round soundhole with wood colored rope pattern (1899-1902) or three-stripe rosette (1/9/1 grouping between 1902 and 1927), five-ply top binding, single-ply back binding with outer rosewood layer, black backstripe, ebony fingerboard with no inlays (1899-1902) or dot inlays (1902-1927), total production of 964 instruments, mfg. 1899-1927.
Martin also produced three Model 1-18H Hawaiian guitars (1918), one Model 1-18P Plectrum five-string guitar (1930), and three Model 1-18T Tenor guitars (1927).
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- Size 1 body, spruce top, rosewood back and sides, round soundhole with three-stripe rosette (herringbone ring between two groups of five rings), five-ply top binding with outer rosewood layer, two-ply back binding with outer rosewood layer, herringbone backstripe, ebony fingerboard with slotted diamond inlays, total production of 575 instruments, mfg. 1898-1926.
The Model 1-21 was also a popular configuration prior to Martin's standardization of configurations in 1898 - every guitar built before 1898 in this configuration should be evaluated and appraised on a case-by-case basis. Martin also produced one Model 1-21P Plectrum guitar (1931).
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- Size 1 body, spruce top, Brazilian rosewood back and sides, round soundhole with five-stripe rosette (pearl center ring in four groups of five rings), ivory top binding, green/brown wood diagonal pattern top purfling, three-ply back binding with outer ivory layer, zig-zag backstripe, ebony ivory-bound fingerboard, ivory headstock binding, total production of 13 instruments, mfg. 1898-1907.
The Model 1-27 was also a popular configuration prior to Martin's standardization of configurations in 1898 - every guitar built before 1898 in this configuration should be evaluated and appraised on a case-by-case basis.
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- Size 1 body, spruce top, Brazilian rosewood back and sides, round soundhole with three-stripe rosette (5/9/5 grouping), ivory top binding (1898-1918) or ivoroid top binding (1918-1923), herringbone top purfling, three-ply back binding with outer ivory layer (1898-1918) or ivoroid layer (1918-1923), zig-zag backstripe, ebony fingerboard with no inlays (1898-1901) or slotted diamond inlays (1901-1923), total production of 238 instruments, mfg. 1898-1923.
The Model 1-28 was also a popular configuration prior to Martin's standardization of configurations in 1898 - every guitar built before 1898 in this configuration should be evaluated and appraised on a case-by-case basis.
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- Size 1 body, spruce top, Brazilian rosewood back and sides, round soundhole with pearl ring rosette, herringbone top purfling, ebony ivory-bound (1898-1918) or ivoroid-bound (1918-1919) fingerboard, ivory-bound (1898-1918) or ivoroid-bound (1918-1919) headstock, total production of 78 instruments, mfg. 1898-1919.
The Model 1-30 was also a popular configuration prior to Martin's standardization of configurations in 1898 - every guitar built before 1898 in this configuration should be evaluated and appraised on a case-by-case basis.
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- Size 1 body, spruce top, Brazilian rosewood back and sides, round soundhole with pearl ring rosette, ivory top binding, herringbone top purfling, ivory back binding, ebony ivory-bound fingerboard, ivory-bound headstock, ivory bridge, total production of 11 instruments, mfg. 1898-1904.
Extreme rarity precludes accurate pricing.
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- Size 1 body, spruce top, Brazilian rosewood back and sides, round soundhole with pearl ring rosette, pearl top bordering that also goes around the fingerboard, ebony ivory-bound (1898-1918) or ivoroid-bound (1918-1919) fingerboard with snowflake inlays (snowflakes on three frets between 1898 and 1901 and on five frets between 1901 and 1919), ivory-bound (1898-1918) or ivoroid-bound (1918-1919) headstock, ivory (1898-1918) or ebony (1918-19) bridge, total production of 44 instruments, mfg. 1898-1919.
The Model 1-42 was also a popular configuration prior to Martin's standardization of configurations in 1898 - every guitar built before 1898 in this configuration should be evaluated and appraised on a case-by-case basis.
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- Size 1 body, spruce top, Brazilian rosewood back and sides, round soundhole with pearl ring rosette, pearl top bordering that also goes around the fingerboard, pearl side bordering, zipper-pattern backstripe, ebony ivory-bound (1904-1918) or ivoroid-bound (1918-1919) fingerboard with snowflake inlays (snowflakes on five frets between 1904 and 1914 and on eight frets between 1914 and 1919), ivory-bound (1904-1918) or ivoroid-bound (1918-1919) headstock, ivory (1904-1918) or ebony (1918-19) bridge, total production of 6 instruments, mfg. 1904-1919.
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- Size 2 body, spruce top, mahogany back and sides, round soundhole with three black rings, three-ply top binding with rosewood outer layer, rosewood back binding, ebony fingerboard with two dot inlays at the 7th fret, rectangular bridge, total production of 6 instruments, mfg. 1910 only.
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- Size 2 body, mahogany top, back, and sides, round soundhole with three thin B/W/B rings rosette, three-ply top binding with outer rosewood layer, rosewood back binding (no back binding in 1930), thin black backstripe, rosewood fingerboard with two dot inlays at the 7th fret, rectangular bridge, available in Natural finish, total production of 6,044 instruments, mfg. 1922-1930.
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- Size 2 body, mahogany top, back, and sides, round soundhole with three thin B/W/B rings rosette, no body binding, rosewood fingerboard with two dot inlays at the 7th fret, rectangular bridge, available in Natural finish, total production of 775 instruments, mfg. 1929-1930.
This is actually the third version of the Model 2-17 although it was referred to as the #25. This designation comes from Martin dropping the price $25 from the previous Model 2-17 by eliminating the body bindings. In 1930, this model was reinstated as the Model 2-17.
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- Size 2 body, mahogany top, back, and sides, round soundhole with three thin B/W/B rings rosette, no body binding, rosewood fingerboard with two dot inlays at the 7th fret, rectangular bridge, no pickguard (1930-32) or tortoise pickguard (optional between 1932 and 1934 and standard from 1934), available in Natural finish, total production of 612 instruments, mfg. 1930-38.
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- Size 2 body, spruce top, rosewood (1898-1917) or mahogany (1917-1938) back and sides, round soundhole with wood colored rope pattern (1898-1902) or three-stripe rosette (1/9/1 grouping between 1902 and 1938), five-ply top binding, single-ply back binding with outer rosewood (1898-1932), black (1932-36), or tortoise (1936-38) layer, black backstripe, ebony fingerboard with no inlays (1898-1902) or dot inlays (1902-1938), total production of 100 instruments, mfg. 1898-1938.
Martin also produced one Model 2-18G with gut-string configuration (1954).
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