- Grand Auditorium 14-fret M/0000-style body, solid Italian Alpine spruce top, solid mahogany back wings with a solid quilted mahogany wedge, solid mahogany sides, three-ring Style 45 rosette (5/9/5 grouping with a large middle ring of abalone pearl), grained ivoroid binding, fine herringbone top inlay, B/W/B Boltaron back and side inlays, select hardwood neck, 14/20-fret grained ivoroid-bound ebony fingerboard with Style 42 snowflake pattern, 5th fret "5," and 20th fret George Martin signature inlays, bound headstock with solid mahogany wings and solid mahogany quilted wedge overlay and long "M" inlay, three-per-side gold Waverly tuners with Butterbean knobs, belly ebony bridge, tortoise color J-40 pickguard, label signed by C.F. Martin IV and Sir George Martin and numbered in sequence, Natural polished gloss with Aging Toner top finish, 25.4 in. scale, case included, limited edition run of 127 instruments, mfg. summer 2005-mid-06.

- Grand Auditorium 14-fret 0000/M-style body, solid Engelmann spruce top, three-piece back with solid mahogany wings and a solid East Indian rosewood center wedge, solid mahogany sides, J1 hybrid scalloped bracing, round soundhole with s single ring rosette (abalone pearl with wood fiber inlays), tortoise color binding, multiple B/W top inlay, B/W back and side inlays, Style 35 back purfling with black fiber strip on each side, solid mahogany neck, 14/20-fret ebony fingerboard with no inlays, three-piece headstock with mahogany wings and an Indian rosewood wedge separated by B/W inlays, raised gold foil logo, three-per-side chrome Schaller tuners with large ebony knobs, ebony belly bridge, tortoise color beveled pickguard, Fishman Gold Plus Natural I electronics, label signed by CFM IV and Shawn Colvin and numbered in sequence, Natural polished gloss finish with Vintage Toner top and Maple Stain/Dark Filler back and sides, 25.4 in. scale, case included, limited edition run of 120 instruments, mfg. 2002 only.

- Grand Auditorium 14-fret M/0000-style body, solid Italian Alpine spruce top, solid East Indian rosewood back and sides, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large middle ring of abalone pearl), grained ivoroid binding, Style 42 with B/W/B Boltaron top inlay, black/white Boltaron back and side inlays, select hardwood neck, 14/20-fret grained ivoroid-bound ebony fingerboard with narrow Style 45 select abalone snowflakes and MOP Bromberg signature between the 18th and 20th frets inlays, bound headstock with solid East Indian rosewood overlay and large vertical block logo inlay, three-per-side gold Gotoh tuners with large knobs, ebony belly bridge, white bridge pins with abalone pearl dots, tortoise color pickguard, label signed by CFM IV and David Bromberg and numbered in sequence, Natural polished gloss with Aging Toner top finish, 25.4 in. scale, case included, limited edition run of 83 instruments, mfg. summer 2006 only.

- 12-string configuration, single cutaway Grand Auditorium 14-fret M/0000-style body, solid Italian Alpine spruce top, solid Madagascar rosewood back and sides, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large middle ring of abalone pearl), grained ivoroid binding, Style 41 abalone pearl with B/W/B Boltaron top inlay, B/W Boltaron back and side inlays, select hardwood neck, 14/20-fret ebony fingerboard with abalone pearl hexagons bordered in MOP and Richie Sambora's signature between the 19th and 20th fret inlays, ebony headstock overlay with abalone pearl/MOP modified torch inlay (no logo), three-per-side gold Gotoh tuners with small buttons, pyramid Stauffer-style ebony bridge, fossilized ivory bridge pins with pearl dots, black beveled pickguard, Martin Gold Plus Natural 1 electronics, label signed by CFM IV and Richie Sambora and numbered in sequence, Amber Sunburst polished gloss top and Natural polished gloss back and sides finish, 25.4 in. scale, case included, limited edition run of 200 instruments, mfg. 2006-mid-2009.

- single cutaway Grand Auditorium 14-fret M/0000-style body, solid Engelmann spruce, solid East Indian rosewood back and sides, round soundhole with a single ring of abalone pearl surrounded by B/W fibers, grained ivoroid binding, blue fiber with B/W/B Boltaron top and back inlays, B/W/B Boltaron side inlay, Southwestern marquetry (brown and blue arrows) back purfling, mahogany neck, 14/20-fret grained ivoroid/mitered-bound ebony fingerboard with planetary inlays, bound headstock with ebony overlay and engraved MOP angel and logo inlays, three-per-side nickel Waverly tuners with Butterbean knobs, ebony belly bridge, ebony bridge pins with abalone pearl dots, label signed by CFM IV and Eric Johnson and numbered in sequence, Natural polished gloss finish with Adobe toner top and Dark Filler back and sides, 25.4 in. scale, hardshell case with burgundy interior included, limited edition run of 90 instruments, mfg. summer 2003 only.

- single cutaway Grand Auditorium M/0000-style body, solid Italian Alpine spruce top, solid highly flamed Hawaiian koa back and sides, single ring fine herringbone rosette, ebony binding, black/white boltaron top/back/side inlays, select hardwood neck, black ebony heelcap with black/white boltaron inlay, 14/20-fret ebony-bound ebony fingerboard with select abalone foden inlays, regular headstock with solid ebony overlay and select abalone pearl logo inlay, three-per-side Waverly nickel tuners with oval buttons, straightline ebony bridge with drop-in saddle, no pickguard, individually numbered, available in Natural Gloss finish, 25.4 in. scale, limited edition run of 100 instruments, mfg. 2008-mid-2010.

- Grand Auditorium 14-fret 0000/M-style body, solid Engelmann spruce top, solid East Indian rosewood back and sides, J1 hybrid scalloped bracing, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large center ring of abalone pearl), grained ivoroid binding, bold herringbone top inlay, B/W back and side inlays, solid mahogany neck, 14/20-fret grained ivoroid/mitered-bound ebony fingerboard with Style 42 snowflake, 4th-5th fret MOP smiling banjo, and 19th-20th fret "Philadelphia Folk Festival" inlays, bound ebony headstock with alternate torch pearl inlay and C.F. Martin stamp on the back of the headstock, solid Brazilian rosewood belly bridge, white bridge pins with abalone dots, tortoise color beveled pickguard, two labels with one signed by CFM IV and David Baskin and the other signed by the Philly Folk Festival even participants and numbered in sequence, Natural polished gloss finish with Vintage Toner top and Dark Filler back and sides, 25.4 in. scale, case included, limited edition run of 85 instruments, mfg. 2002 only.

- dreadnought 14-fret-style body, solid Sitka spruce top, split-back and sides with solid mahogany on the treble side and solid East Indian rosewood on the bass side, scalloped X bracing, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large center ring of abalone pearl), tortoise color binding, B/W top inlay, mahogany neck, 14/20-fret ebony fingerboard with paua shell wide block letter "UNPLUGGED" inlays, rosewood headstock overlay with MOP "MTV" inlay and gold foil logo, three-per-side chrome tuners with ebony buttons, ebony belly bridge, Natural satin finish (gloss finish optional), 25.4 in. scale, limited edition run of 697 instruments, mfg. 1996 only.

- Grand Auditorium 14-fret 000-style body, solid Sitka spruce top, split-back with solid Pacific Big Leaf Flame maple on the treble side and solid Indian rosewood on the bass side, hybrid Style 1 scalloped bracing, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large middle ring of abalone pearl), tortoise color binding, multiple B/W top inlay, B/W Boltaron back inlay, fine pattern herringbone back purfling, select hardwoods neck, 14/20-fret ebony fingerboard with wide Blue Paua letters spelling "UNPLUGGED" from top to bottom of the fingerboard, solid East Indian rosewood headstock overlay with MOP "MTV" logo and gold foil logo, three-per-side chrome Gotoh tuners with large ebony knobs, ebony belly bridge, black bridge pins with pearl dots, clear pickguard, label signed by CFM IV and numbered in sequence, available in Natural semi-gloss top with satin back and sides (MTV 2) or Natural polished gloss with Dark Filler back and sides (MTV 2G) finish, 25.4 in. scale, hardshell case included, limited edition run of 200 instruments, mfg. 2003-04.

- classical nylon-string configuration, N-style body, solid Sitka spruce top, solid East Indian rosewood back and sides, non-scalloped bracing, round soundhole with wood mosaic binding, black Boltaron binding, multiple B/W top inlay, Style 35 back purfling, mahogany neck, 12/19-fret ebony fingerboard with 5th fret MOP state of Texas with star in the middle inlay, 12th fret wester letter style "TRIGGER" inlay, and 19th fret Willie Nelson signature inlay, slotted headstock with solid East Indian rosewood overlay and small old style logo, three-per-side side-mount Irving Sloane tuners, solid East Indian rosewood tied bridge with square ends, Fishman pickup that is a replica of the original Baldwin pickup, label signed by CFM IV and Willie Nelson, Natural polished gloss finish with Yellow Stain top and Dark Filler back and sides, 25.4 in. scale, case included, limited edition run of 70 instruments, mfg. summer 1998-99.

- similar to the N-20WN Willie Nelson, except has solid Brazilian rosewood back, sides, and headstock overlay, limited edition run of 30 instruments, mfg. summer 1998-99.

- single cutaway Grand Auditorium 14-fret 000-style body, HPL top, HPL Jett Black textured back and sides, round soundhole, natural Stratabond neck, 14/20-fret black Micarta fingerboard with no inlays, regular headstock with HPL Jett Black overlay, three-per-side Gotoh Cosmo black tuners, belly-style black Micarta bridge, no pickguard, Fishman Classic 4T electronics, available in a light blue finish with custom "Nub" graphics by Nub Graphix, 25.4 in. scale, limited run of 200 instruments, mfg. 2008-mid 2009.

- dreadnought 14-fret-style body, solid Italian Alpine spruce top, solid high figured Claro Walnut back and sides, DOM forward-shifted scalloped bracing, round soundhole with single ring rosette (large ring of blue paua pearl surrounded by B/W/B fiber on each side), solid East Indian rosewood binding, multiple B/W wood fiber top and back inlays, two Indian rosewood bowtie inlays on the back, maple neck with a walnut center stripe, 14/20-fret ebony fingerboard with flower petals and 20th fret George Nakashima signature inlays, solid figured Claro walnut headstock overlay with logo and Nakashima Crest abalone pearl inlay, three-per-side nickel Waverly tuners with Butterbean knobs, ebony belly bridge, fossil ivory bridge pins with black pearl dots, tortoise color beveled pickguard, two labels with one signed by CFM IV and Mira Nakashima and the other with a picture of George Nakashima, Natural polished gloss top with Aging Toner and satin back and sides finish, 25.4 in. scale, case included, limited edition run of 100 instruments, mfg. 2000-mid 2001.

- Orchestra 14-fret 000-style body, solid Engelmann spruce top, solid East Indian rosewood back and sides, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large middle ring of abalone pearl), grained ivoroid binding, bold herringbone top inlay, B/W Boltaron back and side binding, mahogany neck, 14/20-fret ebony fingerboard with small pearl dots inlays, 12th-13th fret MOP triangle with dots inlays, and 20th fret John Mayer signature inlay, solid Indian rosewood headstock overlay with silver outline and logo, ebony belly bridge, white bridge pins with abalone dots, tortoise color beveled pickguard, signed by CFM IV and John Mayer and numbered in sequence, Fishman Gold Plus Natural I electronics, Natural polished gloss finish with Vintage Toner top and Dark Filler back and sides, 25.4 in. scale, case included, limited edition run of 404 instruments, mfg. summer 2003-mid-05.

- Grand Auditorium 14-fret 000-style body, solid Adirondack spruce top, solid Madagascar rosewood back and sides, Style 45 rosette, grained ivoroid binding, bold herringbone top inlay, black/white boltaron back inlays, select hardwood neck, grained ivoroid heelcap, 14/20-fret ebony fingerboard with MOP diamond and sqaure inlays and "CASH" inlaid between the 19th and 20th fret, regular headstock with solid ebony overlay and special colored MOP rose inlays, three-per-side Gotoh open-geared nickel tuners with butterbean knobs, vintage belly-style ebony bridge with drop-in long saddle, tortoiseshell pickguard, signed by Roseanne Cash and individually numbered, available in Natural Gloss, 25.4 in. scale, limited edition run of 100 instruments, mfg. 2008-09.

- Orchestra 14-fret 000-style body, solid Englemann spruce top, solid East Indian rosewood back and sides, scalloped bracing, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large middle ring of abalone pearl), grained ivoroid binding, bold herringbone top inlay, B/W Boltaron back inlay, select hardwood neck, 14/20-fret grained ivoroid-bound ebony fingerboard with MOP highway signs designs and 20th fret Rory Block signature inlays, bound headstock with ebony overlay and MOP antique car and logo inlays, three-per-side nickel Waverly tuners with butterbean knobs, ebony belly bridge, ebony bridge pins with abalone pearl dots, tortoise color beveled pickguard, label signed by C.F. Martin IV and Rory Block and numbered in sequence, Natural polished gloss finish with Vintage Toner top, 25.4 in. scale, case included, limited edition run of 38 instruments, mfg. summer 2004 only.

- Orchestra 14-fret 000-style body, solid Adirondack spruce top, solid flamed mahogany back and sides, OM scalloped bracing, three-ring rosette Style 45 rosette (5/9/5 grouping with a large middle abalone pearl ring), grained ivoroid binding, abalone pearl with multiple black/white fiber top inlay, black/white Boltaron back and side inlays, Style 45 back purfling, select hardwood neck, 14/20-fret grained ivoroid-bound ebony fingerboard with "Vine of Harmonics" abalone inlay designed by Dick Boak, square taper headstock with ebony overlay and C.F. Martin in abalone script, three-per-side gold Gotoh tuners with ebony buttons, ebony belly bridge, tortoise color pickguard, label signed C.F. Martin IV and numbered in sequence, polished gloss top with aging toner, 25.4 in. scale, limited edition run of 30 instruments, mfg. summer 2006 only.

- Grand Concert 14-fret OM-style body, solid Sitka spruce top, solid East Indian rosewood back and sides, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large center ring of abalone pearl), tortoise color binding, Style 42 abalone pearl top inlay, Style 45 multi-colored mosaic back inlay, mahogany neck, 14/20-fret tortoise color-bound ebony fingerboard with Style 42 abalone pearl snowflake inlays and 20th fret MOP Paul Simon signature inlay, tortoise color-bound with reverse B/W inlay headstock with rosewood overlay and large vertical block logo, three-per-side nickel Waverly tuners with ivoroid buttons, ebony belly bridge with Style 42 abalone pearl snowflake inlays, teardrop-shaped tortoise color pickguard, label signed by CFM IV and Paul Simon, Natural polished gloss finish with Vintage Toner top, 25.4 in. scale, case included, limited edition run of 500 instruments but only 223 were produced and sold, mfg. 1997 only.

- Orchestra 14-fret 000-style body, solid Adirondack spruce top, solid flamed Tasmanian blackwood back and sides, standard X scalloped bracing, three-ring rosette Style 45 rosette (5/9/5 grouping with a large middle abalone pearl ring), solid European flamed maple binding, Style 42 abalone pearl top inlay, black/maple/black back inlay, Style 45 back purfling, select hardwood modified V neck, 14/20-fret solid European flamed maple-bound ebony fingerboard with Style 42 golden era snowflake inlays, square taper headstock with ebony overlay and custom abalone design inlay, three-per-side gold tuners with engraved butterbean knobs, ebony belly bridge with drop-in long saddle, tortoise color pickguard, label signed C.F. Martin IV and numbered in sequence, polished gloss top with aging toner, 25.4 in. scale, limited edition run of 8 instruments, mfg. summer 2011 only.

- Grand Auditorium 14-fret 000-style body, solid VTS Adirondack spruce top, solid Brazilian rosewood back and sides, three-ring Style 45 rosette (5/9/5 grouping with a large middle ring of abalone pearl), grained ivoroid binding, Style 42 top inlay, Brazilian Rosewood with maple/black fiber back and side inlays, Style 45 golden era back purfling, genuine mahogany neck, 14/20-fret grained ivoroid ebony fingerboard with style 45 1930 authentic snowflake inlays, bound headstock with solid Brazilian rosewood overlay and abalone pearl torch inlay (no logo), three-per-side waverly engraved gold banjo tuners with solid MOP buttons, 1930s-style ebony belly long saddle bridge with abalone pearl snowflake inlays, ivory colored poly bridge pins with select pearl dots, tortoloid pickguard with 1930 style floral inlay, Natural polished gloss finish, 1.75 in. nut, 25.4 in. scale, case included, limited edition run of 11 instruments, mfg. 2015 only.