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- dreadnought-style body, solid Englemann spruce top, nato back and sides, round soundhole with multi-ring abalone pearl rosette, multi-ply body binding, nato neck, 14/20-fret bound rosewood fingerboard with pearl dot inlays, bound headstock with rosewood overlay and logo/design inlay, three-per-side gold tuners, rosewood bridge, black pickguard, available in Natural finish, 25.5625 in. scale, mfg. 2002-04.
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- dreadnought-style body, solid Englemann spruce top, nato back and sides, round soundhole with multi-ring rosette, multi-ply body binding, nato neck, 14/20-fret bound rosewood fingerboard with pearl dot inlays, bound headstock with rosewoo...
- dreadnought-style body, select spruce top, mahogany back and sides, round soundhole with multi-ring rosette, multi-ply body binding, mahogany neck, 14/20-fret rosewood fingerboard with dot inlays, three-per-side nickel-plated tuners, rose...
- similar to the FG441, except has a single round cutaway and System 26 one-way electronics with pop out controls (1994 only) or three-band EQ, volume, and AMF controls (1995-97), available in Black, Marine Burst, Natural, or Tobacco Brown...
- dreadnought-style body, solid spruce top, rosewood back and sides, round soundhole with multi-ring abalone pearl rosette, multi-ply body binding, nato neck, 14/20-fret bound rosewood fingerboard with dot inlays, bound headstock with rosew...
- similar to the FG411S Solid Top, except in 12-string configuration with six-per-side tuners, mfg. 1993-95.
- similar to the FG-110, except has a single coil pickup mounted near the fingerboard in the soundhole and two knobs mounted on the top (v, tone), available in Natural finish, mfg. 1972-73.
- similar to the FG420-12A 12-String, except has a piezo APX pickup with three knobs (volume, two tone), mfg. 1989-1994.
- dreadnought-style body, solid spruce top, ovangkol back and sides, scalloped bracing, round soundhole with a multi-ring abalone rosette, multi-ply body binding, nato neck, 14/20-fret bound rosewood fingerboard with pearl diamond inlays, b...
