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MARTIN OMC-28E Cutaway Electric (First Version)
- similar to the OM-28, except has a single cutaway and Fishman Ellipse Aura System electronics, mfg. summer 2006-09.
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- orchestra body style, solid spruce top, Brazilian rosewood (1929-1933) or Indian rosewood (1990-96, 2013-present) back and sides, round soundhole with three-ring rosette (5/9/5 grouping), ivoroid (1929-1933, 2013-present) or white (1990-96) top and back binding, zig-zag backstripe, mahogany neck (1929-1933, 1990-1996) or select hardwood neck (2013-present), 14/20-fret ebony fingerboard with slotted diamond inlays (1929-1933, 1990-1996) or short pattern diamond and square inlays(2013-present), rosewood headstock overlay, three-per-side chrome banjo tuners (1929-1931), regular right angle tuners (1932-33, 1990-96) or nickel tuners with butterbean knobs(2013-present), ebony pyramid bridge (1929-1930) or belly bridge (1931-33, 1990-96, 2013-present), white bridge pins with black dots (1929-1933, 1990-1996) or tortoise dots (2013-present), small tortoise (1929-1931), large tortoise (1932-33, 2013-present) or black (1990-96) pickguard, available in Natural finish, 25.4 in. scale, mfg. 1929-1933 (total production of 487 instruments), 1990-96, and 2013-present.
Martin also produced five OM-28P in plectrum neck configuration (1931-32), one OM-28T in tenor neck configuration (1930), six SOM-28 reissues of the OM-28 (1969), and one OM-28V contemporary reissue with Brazilian rosewood back and sides (1984).
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- similar to the OM-28, except has a single cutaway and Fishman Ellipse Aura System electronics, mfg. summer 2006-09.
- orchestra body style, solid spruce top, Brazilian rosewood (1930-32) or Indian rosewood (1977-1993) back and sides, round soundhole with abalone pearl rosette, ivoroid (1930-32) or white (1977-1993) top and back binding, abalone pearl top...
- orchestra body style, solid sitka spruce top with X bracing, East Indian Rosewood back and sides, round soundhole with style 28 multi-stripe rosette, white binding, multi-stripe top, back, and side inlay, style 35 back purfling, 14/20-fre...
- orchestra body style, solid sitka spruce top with forward shifted X bracing pattern, genuine mahogany back and sides, round soundhole with old style 18 three-stripe purfling/rosette, faux tortoise binding, multi-stripe top inlay, style 18...
- similar to the OM-45, except has abalone pearl pickguard inlay and abalone snowflake bridge wing inlays, total production of 14 instruments, mfg. 1930 only.
- orchestra body style, solid Sitka spruce top, solid three-piece Indian rosewood back, solid Indian rosewood sides, round soundhole with Style 28 rosette, white boltaron binding, B/W/B top inlay, B/W back inlay, mulitple B/W side inlay, St...
- single cutaway orchestra body style, solid sitka spruce top with X bracing, East Indian Rosewood back and sides, round soundhole with style 28 three-stripe rosette, white binding, multi-stripe top and back inlay, style 28 back purfling, 1...
- similar to the 0M-18, except in four-string plectrum configuration with two-per-side tuners and a 27 in. scale, total production of 95 instruments, mfg. 1930-31.