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- similar to the J-40(M), except has single rounded cutaway, an oval soundhole, and a low-profile adj. neck, mfg. 1987-1996.
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- 12-string configuration, Grand Jumbo-style body, solid Sitka spruce top, solid East Indian rosewood back and sides, standard X progessively scalloped tone bars bracing, round soundhole with Style 45 three ring rosette (5/9/5 grouping with...
- similar to the J-40(M), except has a gloss Black finish with matching Black finish headstock, mfg. 1988-1996.
- similar to the J-65(M), except has white binding, hexagonal fingerboard inlays, white bridge pins with pearl dots, a black pickguard, and available in Cherry Sunburst finish, designed around the special guitar that C.F. Martin IV used at...
- Grand Jumbo-style body, solid Sitka spruce top, solid three-piece East Indian rosewood back, solid East Indian rosewood sides, standard X progessively scalloped tone bars bracing, round soundhole with Style 28 three ring rosette (5/9/5 gr...
- similar to the J-40(M), except in 12-string configuration and six-per-side gold tuners with ebony buttons, mfg. 1985-1996.
- similar to the CMJ-65/Custom J-65, except has MEQ-932 acoustic amplification system, mfg. 1993-94.
- jumbo body style, solid spruce top, rosewood back and sides, round soundhole with three-stripe rosette, five-ply top black binding, single-ply back binding with black outer layer, chainlink backstripe, mahogany neck, 14/20-fret rosewood f...
- jumbo body style, solid spruce top, solid East Indian rosewood back and sides, round soundhole with three-ring (5/9/5 grouping, 1985-1995) or Style 45 abalone pearl rosette (1996-present), eight-ply top binding, four-ply back binding with...
