MARTIN 00-17 Hawaiian
- similar to the 00-17 Second Version, except in Hawaiian configuration with a flat fingerboard with flush frets, a high nut, and a non-slanted saddle, total production of 20 instruments, mfg. 1934-35.
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- similar to the 00-17 Second Version, except in Hawaiian configuration with a flat fingerboard with flush frets, a high nut, and a non-slanted saddle, total production of 20 instruments, mfg. 1934-35.
- similar to the 00-18, except in four-string tenor configuration and two-per-side tuners, total production of six instruments, mfg. 1931, 1936, 1938-1940.
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- Grand Concert body style, spruce top, Brazilian rosewood (1904-1938) or Indian rosewood (1970-1993) back and sides, round soundhole with pearl rosette, ivory (1904-1918) or ivoroid (1918-1938, 1970-1993) top binding, pearl inlay border around top and fingerboard where it meets the top, pearl inlays around sides, zipper-pattern back stripe, cedar (1904-1916) or mahogany (1916-1938, 1970-1993) neck, 12/19-fret (1904-1934, 1970-1993) or 14/20-fret (1934-38) ivory (1904-1918), ivoroid (1918-1938), or white (1970-1993)-bound ebony fingerboard with snowflake inlays (1904-1938) or hexagonal inlays (1970-1993), ivory (1904-1918), ivoroid (1918-1938), or white (1970-1993)-bound slotted (1904-1934, 1970-1993) or solid (1934-38) headstock with torch inlay (1904-1934) or vertical block Martin logo inlay (1934-38, 1970-1993), three-per-side open-style tuners (1904-1934, 1970-1993) or regular tuners (1934-38), rectangular (1904-1929) or belly (1929-1938, 1970-1993) ivory (1904-1918) or ebony (1918-1938, 1970-1993) bridge, Natural finish, 24.9 in. (1904-1938) or 25.4 in. (1970-1993) scale, available as a Special Order, mfg. 1904-1938, 1970-1993.
Martin also produced two reissue 00-45s with Brazilian rosewood back and sides (Model 00-45B, 1985 only), one 00-45 with a koa top, back, and sides (Model 00-45K, 1919 only), and an undisclosed amount of 00-45s with non-scalloped braces (Model 00-45N, 1989-1993).
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- similar to the 00-18, except in classical nylon string configuration with a 12-fret body, 12/19-fret fingerboard, slotted headstock, fan bracing, and a tied bridge, 26.44 in. scale, total production of 4,351 instruments, available as a Sp...
- Grand Concert body style, mahogany top, back, and sides, round soundhole with three thin W/B/W rings, no binding, thin black back stripe, mahogany neck, 12/19-fret (1930-34) or 14/20-fret (1934-1960, 1982-88) rosewood fingerboard with pea...
- similar to the 00-28, except in Hawaiian configuration with koa back and sides, a flat fingerboard with flush frets, a high nut, and a non-slanted saddle, total production of 40 instruments, mfg. 1919-1921, 1926-1933.
- similar to the 00-18, except in classical nylon string configuration with X-bracing, fan patterned, and a pin tied bridge, total production of 5,140 instruments, mfg. 1936-1962.
- similar to the 00-18, except has koa top, back, and sides, total production of 61 instruments, mfg. 1918-1934.
- Grand Concert body style, spruce top, mahogany back and sides, round soundhole with three black rings, three-ply top binding with rosewood outer layer, rosewood back binding, cedar (1908-1916) or mahogany (1916-17) neck, unbound ebony fin...
- similar to the 00-40, except in Hawaiian configuration with a flat fingerboard with flush frets, a high nut, and a non-slanted saddle, total production of 244 instruments, mfg. 1928-1939.
- classical Grand Concert body style, solid spruce top, mahogany back and sides, round soundhole with three-stripe rosette (1/9/1 grouping), dark outer top binding, black back stripe, mahogany neck, 12/19-fret rosewood fingerboard with no i...