No. of Strings
6
Body Type
Hollow
No. of Frets
--
Weight
--
- archtop hollow body, single cutaway design, solid spruce top, flame maple back and sides, mother-of-pearl split block position markers, bound top and back, chrome hardware, lyre tailpiece, wooden pickguard, f-holes, 3-per-side tuners, available in Black or Antique Brown finish, mfg. 1982-1991.
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- archtop hollowbody, laminated maple top, back and sides, rosewood fingerboard, white celluloid band position markers, bound top, celluloid pickguard, 3-per-side tuners, f-holes, lyre tailpiece, 1 pickup mounted at the fingerboard, no...
- same as Model 457/S/E1 except has 2 adjustable pickups and either 2 volume controls and 3 sliding tone switches or 2 volume and 2 tone controls, available in Brown Sunburst and Blonde (Model 457/S/b/E2) finishes, mfg. circa 1961-1970.
- single rounded cutaway semi-hollow bound body, solid handcarved German AAA spruce top, f-holes, highly flamed African maple back and sides, asymmetrically profiled European maple neck, 24-fret ebony fingerboard with genuine mother-of-pear...
- archtop hollow body, single cutaway design, sapeli mahogany back and sides, selected spruce top, bound mahogany fingerboard, wooden inlays and celluloid bindings on top and back, wooden inlays around the f-holes, harp tailpiece, 3-per-sid...
- large archtop hollow body, selected spruce top, flame maple back and sides, florentine cutaway, celluloid binding on top and back, ebony fingerboard with mother-of-pearl inlays, 3-per-side tuners, black pickguard, lyre tailpiece, 2 pickup...
- archtop hollow body, same as Model 462/S/E3 except has 3 adjustable pickups and 1 volume and 3 tone controls, pickup selector switch, available in Light Brown Varnish finish, mfg. circa 1954-1970.
- archtop hollow body, single cutaway design, flame maple back and sides, bound top, back, fingerboard and f-holes, black pickguard, 3-per-side tuners, red, black, or white headstock, lyre tailpiece, celluloid band position markers, 2 adjus...
- archtop hollow body, laminated maple top and back, black and white celluloid bindings on top, back and f-holes, red-white celluloid inlays on the headstock, 3-per-side tuners, white pickguard, lyre tailpiece, celluloid band position...
