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- archtop hollow body, single cutaway design, sapeli mahogany back and sides, selected spruce top, bound mahogany fingerboard, wooden inlays and celluloid bindings on top and back, wooden inlays around the f-holes, harp tailpiece, 3-per-side tuners, dark pickguard. 2 adjustable pickups, 2 volume and 2 tone controls, available in Shaded Brown finish, mfg. circa 1961-1970.
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- double cutaway semi-hollow bound body, German spruce top, highly flamed African maple back and sides, asymmetrically profiled European maple neck, 22-fret ebony fingerboard with genuine MOP inlays, gold plated hardware, solid spruce tone...
- 17 in. bout single cutaway hollow body, solid spruce top, solid maple back and sides, three-per-side tuners, 22-fret bound ebony fingerboard with MOP block inlays, ebony tailpiece, ebony bridge, single humbucker pickup, ebony accents and...
- single rounded cutaway semi-hollow bound body, solid carved German spruce top, laminated flamed African Anigree back/sides, two f-holes, European hard rock maple neck, 24-fret bound ebony fingerboard with mother-of-pearl block inlay, thre...
- similar to the Verything Classic, except has one humbucker pickup, a black pickguard, two knobs, and black hardware, available in Natural or Dark Violin French Polish finish, disc.
- archtop hollow body, same as Model 462/S/E3 except has 3 adjustable pickups and 1 volume and 3 tone controls, pickup selector switch, available in Light Brown Varnish finish, mfg. circa 1954-1970.
- archtop hollowbody, single cutaway design, spruce top, flame maple back and sides, bound top, back, fingerboard and f-holes, headstock decorated with gold plated clef and staff, 3-per-side tuners, celluloid band position markers, white pi...
- archtop hollow body, single cutaway design, flame maple back and sides, bound top, back, fingerboard and f-holes, black pickguard, 3-per-side tuners, red, black, or white headstock, lyre tailpiece, celluloid band position markers, 2 adjus...
- archtop hollow body, single cutaway design, well selected fine spruce top, rosewood back and sides, wood and celluloid bindings on top, back, fingerboard and f-holes, mother-of-pearl headstock inlays (bell-fowers) and fingerboard position...
