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- similar to T-100, except had 2 single coil pickups, 2 volume/2 tone controls, 3-position switch on upper horn.
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- single sharp cutaway semi-hollow body, arched bound spruce top, 2 f-holes, mahogany back/sides/neck, 20-fret bound rosewood fingerboard with pearl dot inlay (later production models do not have bound necks), adjustable rosewood bridge/har...
- single round cutaway hollowed mahogany body, bound spruce top, 2 f-holes, raised black laminated pickguard, mahogany neck, 22-fret bound rosewood fingerboard with pearl block inlay, adjustable metal bridge/harp tailpiece, blackface peghea...
- single round cutaway hollow style, arched bound spruce top, bound pickup holes, raised black pickguard with logo, figured maple back/sides/neck, 20-fret bound rosewood fingerboard with pearl block inlay, adjustable rosewood bridge/harp st...
- single round cutaway hollow small body, spruce top, bound pickup holes, raised black pickguard with logo, mahogany back/sides/neck, 20-fret bound rosewood fingerboard with pearl block inlay, adjustable rosewood bridge/harp tailpiece, boun...
- similar to the Duane Eddy 400, except has a double cutaway and pickguard reads Bert Wheedon, mfg. 1963-65.
- single sharp cutaway hollow style, arched bound spruce top, raised bound black pickguard, 2 f-holes, maple back/sides/neck, 20-fret bound rosewood fingerboard with pearl block inlay, adjustable rosewood bridge/trapeze tailpiece, blackface...
- chambered special design solid mahogany body and solid spruce top, ebony fingerboard, Chesterfield logo, side dots, classical style neck and headstock, high volume nylon electric with custom design pickup Fishman system, available in Ambe...
- similar to M-65, except has smaller body/scale length, mfg. 1962-1970.
