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- similar to T-100, except had 2 single coil pickups, 2 volume/2 tone controls, 3-position switch on upper horn.
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- single sharp cutaway semi-hollow body, arched bound spruce top, 2 f-holes, mahogany back/sides/neck, 20-fret bound rosewood fingerboard with pearl dot inlay (later production models do not have bound necks), adjustable rosewood bridge/har...
- chambered special design solid mahogany body and top, rosewood fingerboard, Chesterfield logo, pearl dot inlay, high volume acoustic electric with custom design pickup Fishman system, available in Black, Lake Placid Blue, or Red Trans. fi...
- similar to the ST 301, except has 2 pickups and a Bigsby tremolo, mfg. 1968-1970.
- single sharp cutaway hollow style, arched bound spruce top, raised bound black pickguard, 2 f-holes, maple back/sides/neck, 20-fret bound rosewood fingerboard with pearl block inlay, adjustable rosewood bridge/trapeze tailpiece, blackface...
- similar to the Duane Eddy 400, except has a double cutaway and pickguard reads Bert Wheedon, mfg. 1963-65.
- similar to M-65, except has smaller body/scale length, mfg. 1962-1970.
- similar to X-50, except had thinline body, mfg. 1962-1982.
- single round cutaway hollowed mahogany body, bound spruce top, 2 f-holes, raised black laminated pickguard, mahogany neck, 22-fret bound rosewood fingerboard with pearl block inlay, adjustable metal bridge/harp tailpiece, blackface peghea...
