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- similar to Duane Eddy 400, except has figured maple back/sides/neck, ebony fingerboard, gold hardware, mfg. 1962-1974.
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- single round cutaway hollowed mahogany body, bound spruce top, 2 f-holes, raised black laminated pickguard, mahogany neck, 22-fret bound rosewood fingerboard with pearl block inlay, adjustable metal bridge/harp tailpiece, blackface peghea...
- chambered special design solid mahogany body and top, rosewood fingerboard, Chesterfield logo, pearl dot inlay, high volume acoustic electric with custom design pickup Fishman system, available in Black, Lake Placid Blue, or Red Trans. fi...
- similar to the ST 301, except has 2 pickups, mfg. 1968-1970.
- similar to X-50, except had thinline body, mfg. 1962-1982.
- single sharp cutaway semi-hollow body, arched bound spruce top, 2 f-holes, mahogany back/sides/neck, 20-fret bound rosewood fingerboard with pearl dot inlay (later production models do not have bound necks), adjustable rosewood bridge/har...
- similar to the ST 301, except has 2 pickups and a Bigsby tremolo, mfg. 1968-1970.
- similar to the Duane Eddy 400, except has a double cutaway and pickguard reads Bert Wheedon, mfg. 1963-65.
- single round cutaway semi-hollow body, arched bound spruce top, f-holes, raised black pickguard with Duane Eddy´s signature, maple back/sides, mahogany neck, 20-fret bound rosewood fingerboard with pearl block inlay, adjustable bridg...
