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-similar to the Les Paul Custom Limited, except features a Floyd Rose vibrato tailpiece, available in Antique Gold finish with chrome hardware, mfg. 2015-2019.
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- single cutaway bound mahogany body, flame maple top, 22-fret bound ebony fingerboard with lightning bolt inlay/Frehley´s signature in pearl script at 12th fret, bound black peghead with Ace peghead image, chrome hardware, tune-o-matic bri...
-1960 Les Paul style design, mahogany body with figured maple top, mahogany neck, 22-fret bound Indian Rosewood fingerboard with nitrocellulose trapezoid inlays, pearl Gibson logo in headstock with Silkscreen Les Paul signature, three-per-s...
- similar to the Jimmy Page Signature Les Paul, except is aged by Tom Murphy, available through Gibson Super dealers only, limited edition run of 125 instruments (numbered 26-150), mfg. 2004 only.
- single cutaway Les Paul-style mahogany body, carved maple top, body binding, set one-piece mahogany rounded-profile neck with contoured heel, 22-fret richlite fingerboard with pearloid block inlays, black headstock overlay with pearl Gibs...
- double rounded cutaway mahogany body, figured maple top, set mahogany neck, 22-fret bound rosewood fingerboard with Pearloid dot inlays, black headstock overlay with gold Gibson logo and "Les Paul Special" silkscreened in yellow, three-pe...
- similar to the Jeff Beck 1954 Les Paul Oxblood VOS, except is custom aged by the Gibson Custom Shop, limited edition run of 50 instruments, mfg. 2009 only.
![GIBSON LES PAUL CLASSIC MAHOGANY (CSMC[ ]NH) Image](https://bluebookofguitarvalues.s3.us-west-1.amazonaws.com/images/Subscription/ElectricGuitar/GibsonLPCLASSM.jpg)
- features solid mahogany construction with carved figured mahogany top, and one-piece mahogany neck with long tenon, two '57 Classic zebra humbucker pickups, nickel hardware, available in Antique Natural (AN), Heritage Sunburst (HS), Trans...
-similar to the Les Paul Custom Figured, except features a carved quilted maple top, available in Fire Tiger or Honey Burst finish, mfg. 2015-2019.
