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- single rounded cutaway body, arched spruce top, bound f-holes, raised multi-bound pearloid pickguard, multi-bound body, carved figured maple back/sides, figured maple neck, 14/20-fret multi-bound ebony pointed fingerboard with pearl block...
- similar to L-5 C, except has thin body, shorter scale length, available in Red finish, approx. 35 mfg. 1959-1961.
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- carved spruce top, f-holes, raised multi-bound pickguard, multi-bound body, carved figured maple back/sides, figured maple/ebony neck, 14/20-fret bound ebony pointed fingerboard with pearl dot inlay, adjustable ebony bridge/trapeze tailpiece, multi-bound blackface snakehead peghead with pearl flowerpot/logo inlay, three-per-side silver plate tuners with pearl buttons, Master Model/Lloyd Loar signature labels, available in Natural or Cremona Brown Sunburst finish, limited in mfg. 1922-1958.
Models signed by Lloyd Loar (1922 to 1924).
Some early versions of this instrument have birch back/sides. In 1925, gold tuners replaced original part/design. In 1927, Master Model label was discontinued. In 1929, flat fingerboard with block inlay replaced original part/design, individual tuners replaced previous part/design. In 1935, The Advanced L-5´s larger body (17 inches across lower bout by 21 in. long), binding, tailpiece, peghead replaced original part/design, redesigned fingerboard replaced previous part/design. In 1936, bound f-holes replaced original part/design. In 1937, gold tailpiece with silver insert, Grover Imperial tuners replaced previous part/design. In 1939, redesigned tailpiece replaced previous part/design, pearloid pickguard, Natural finish became an option. In 1948, one or two pickguard mounted pickups became an option.
Current production instruments (1934 L-5) are part of the Historic Collection Series, found at the end of this section.
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- small bodies L-style guitar with circular lower bout, Adirondack red spruce top, mahogany back and sides, traditional L-00 X-braced top, round soundhole with traditional rosette, cream top and back binding, one-piece mahogany neck with &q...
- spruce top, round soundhole, three-stripe body/rosette, bound body, rosewood back/sides, mahogany neck, 13/19-fret bound ebony fingerboard with pearl dot inlay, ebony pyramid bridge, blackface peghead with pearl logo inlay, three-per-side...
- single rounded cutaway body, arched spruce top, f-holes, raised black laminated pickguard, bound body, carved maple back/sides, mahogany neck, 14/19-fret bound rosewood fingerboard with pearl parallelogram inlay, adjustable rosewood bridg...
- L-00-style body, Adirondack spruce top, Hard Rock Eastern maple back and sides, single-ply top and back binding, Honduras mahogany neck, 14/20-fret bound pearloid fingerboard with Madagascar rosewood/MOP diamond rectangular inlays, bound...
- L-style small body, spruce top, curly maple back and sides, round soundhole with two ring rosette, three-ply (1933-38) or single-ply (1938-1941) body binding, mahogany neck, 14/19-fret three-ply bound pearloid fingerboard, notched pearl d...
- single pointed cutaway body, arched spruce top, f-holes, raised laminated pickguard, bound body, carved maple back/sides, mahogany neck, 19-fret bound rosewood fingerboard with pearl parallelogram inlay, adjustable rosewood bridge/trapeze...
- small body acoustic, solid Sitka spruce top, solid Indian rosewood back and sides, round soundhole with two-stripe multi ring rosette, multi-ply body binding, 12/17-fret bound ebony fingerboard with MOP block inlays, bound black headstock...
- modern replica of a 1932 L-00, small style body, Adirondack red spruce top, round soundhole, mahogany back/sides/neck, 14/19-fret rosewood fingerboard with pearl dot inlay, rosewood bridge with black pins, three-per-side vintage open back...
