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- similar to ES-150 (pre-war model), except has slightly larger 17 in. body, layered black pickguard, silkscreen peghead logo, laminated maple body, P-90 pickup in neck position, and side mounted jack, mfg. 1946-1956.
In 1950, bound fingerboard with trapezoid inlay replaced original part/design.
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- spruce top, f-holes, bound black pickguard, bound body, flat maple back, mahogany sides/neck, 14/19-fret bound rosewood fingerboard with pearl dot inlay, adjustable rosewood bridge/trapeze tailpiece, pearl peghead logo inlay, three-per-si...
- similar to ES-140 3/4, except had a thin body, 12 3/4 in. wide, 17.25 in. long, and 1 3/4 in. deep, 22 3/4 in. scale, 13/19-fret fingerboard, mfg. 1956-1970.
- double cutaway semi-hollow style, arched maple top, f-holes, raised layered black pickguard, bound body, maple back/sides, mahogany neck, 22-fret rosewood fingerboard with pearl block inlay, tune-o-matic bridge/trapeze tailpiece, 3-per-si...
- spruce top, bound black pickguard, multi-bound body, maple back/sides/neck, 14/20-fret rosewood fingerboard with pearl parallelogram inlay, adjustable rosewood bridge/trapeze tailpiece, bound peghead with pearl crown/logo inlay, 3-per-sid...
- similar to ES-125 T, except has a 3/4 size body, 22 3/4 in. scale, mfg. 1957-1970.
- single sharp cutaway hollow ES-175-style figured maple body, two f-holes, mahogany neck, 20-fret bound rosewood fingerboard with pearl parallelogram inlays, black headstock overlay with gold Gibson logo and "Herb Ellis" signatur...
- archtop, bound maple body, single bound top/back and fingerboard, f-holes, laminated raised black pickguard, mahogany neck, 22-fret rosewood fingerboard with pearl trapezoid inlays, trapeze tailpiece, decal logo on headstock, 3-per-side t...
- single sharp cutaway semi-hollow body, laminated maple top, back, and sides, two f-holes, cream single-ply top and back body binding, set one-piece mahogany neck, 20-fret bound rosewood fingerboard with dot inlays, black unbound headstock...
