No. of Strings
7
Body Type
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No. of Frets
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Weight
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- mahogany body with flamed maple top, mahogany set neck, rosewood fingerboard with pearl trapezoid inlays, 4/3 tuners, two open coil humbucker pickups, bound body and neck, white pickguard, chrome hardware, available in Vintage Sunburst or Trans. Black finish, mfg. 2000-02.
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- single cutaway Les Paul-style mahogany body, flame maple top, cream binding, set mahogany neck with either a 1960s SlimTaper D profile, 22-fret bound rosewood fingerboard with MOP trapezoid inlays, black headstock overlay with Epiphone lo...
- Les Paul-style single cutaway chambered mahogany body, quilt maple top, raised white pickguard, set-in mahogany neck, 22-fret bound rosewood fingerboard with trapezoid fingerboard inlay, tune-o-matic bridge, stop tailpiece, unbound peghea...
- semi-hollowbody body, single f-hole, gold hardware, available in Ebony finish, disc. 1999.
- Les Paul body, mahogany body with book-matched maple top, one-piece mahogany neck, 22-fret rosewood fingerboard with dot inlays, raised black pickguard, two humbucker pickups, four knobs, three-way switch, nickel hardware, available in Eb...
- downsized single cutaway Les Paul-style mahogany body, bolt-on hard maple neck with a SlimTaper profile, 21-fret rosewood fingerboard with pearl dot inlays, black headstock overlay with Epiphone logo and "Special Model" inlays,...
- single cutaway Les Paul Special-style mahogany body, set mahogany Vintage 50s profile neck, 22-fret Indian Laurel fingerboard with dot inlays, black headstock overlay with Epiphone logo and yellow "Les Paul Model" silkscreen, three-per-si...
- similar to the Les Paul Studio, except has a chameleon flip/flop finish that changes color depending on the light and viewing angle, available in Blue/Green, Bronze/Salmon, or Silver/Lime Chameleon finish, mfg. 2007-08.
- similar to the Special II, except features die cast tuners, 2 OBL humbuckers, coil tap capabilities, available in Ebony, Red, Heritage Cherry Sunburst, Vintage Sunburst, or White finish, mfg. 1997-99.
