- jumbo-style body, solid sitka spruce top, solid African mahogany back and sides, round soundhole with ABS rings, black and cream ABS purfling, ABS binding, mahogany neck, 14/20-fret Indian rosewood fingerboard with pearloid dot inlays, ebony headstock overlay with Guild logo inlay, three-per-side nickel open geared tuners with cream buttons, Indian rosewood bridge, tortoiseshell pickguard, available in Antique Burst or Natural finish, 25.5 in. scale, Guild deluxe humidified wood case included, mfg. 2018-present.
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- jumbo-style body, solid sitka spruce top, solid African mahogany back and sides, round soundhole with ABS rings, black and cream ABS purfling, ABS binding, mahogany neck, 14/20-fret Indian rosewood fingerboard with pearloid dot inlays, ebony headstock overlay with Guild logo inlay, three-per-side nickel open geared tuners with cream buttons, Indian rosewood bridge, tortoiseshell pickguard, L.R. Baggs element pickup with volume and tone control, available in Antique Burst or Natural finish, 25.5 in. scale, Guild deluxe humidified wood case included, mfg. 2018-present.
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- jumbo body style, spruce top, mahogany back and sides, round soundhole with four rings, multi-ply body binding, three-piece mahogany/maple neck, 14/20-fret bound rosewood fingerboard with eight pearloid block inlays, black headstock with Chesterfield and logo inlay, three-per-side chrome tuners, rosewood bridge, tortoiseshell pickguard, available in Natural or Sunburst finish, 17 in. body width, 4.625 in. body depth, 25.5 in. scale, mfg. 1972-75.
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- jumbo body style, spruce top, curly maple back and sides, round soundhole with four rings, multi-ply body binding, three-piece mahogany/maple neck, 14/20-fret bound rosewood fingerboard with eight pearloid block inlays, black bound headstock overlay with G logo inlay, three-per-side gold-plated Kluson Deluxe tuners, rosewood bridge, tortoiseshell pickguard, available in Natural or Sunburst finish, 17 in. body width, 4.5 in. body depth, 25.5 in. scale, mfg. 1954-1987.
In 1956, a maple neck with a walnut strip, pearl block fingerboard inlays, and the G shield headstock inlay were introduced. In 1957, pearl block fingerboar inlays with V inserts were introduced. In 1962, an ebony fingerboard was introduced. In 1966 a "cloud" bridge with two points was introduced. In 1967 the body was deepend to 5 in. Around 1972, some guitars were constructed with ebony bridges and black pickguards were introduced. In 1987, this model was renamed the JF-65M.
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- similar to the F-50 Navarre, except has rosewood back and sides, mfg. 1965-1987.
Brazilian rosewood was used on the back and sides until circa 1969. In 1966 a "cloud" bridge with two points was introduced. In 1967 the body was deepend to 5 in. In 1969, a rosewood bridge was introduced. Around 1970, some guitars had a flat laminated back with one-piece mahogany necks. Around 1972, some guitars were constructed with ebony bridges and three-piece padouk/maple necks and black pickguards were introduced. Around 1977, some guitars had three-piece mahogany/maple necks. In 1987, this model was renamed the JF-65R.
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- jumbo body style, AAA spruce top, arched curly maple back, curly maple sides, round soundhole with four rings, multi-ply body binding, three-piece mahogany/maple neck, 14/20-fret bound ebony fingerboard with eight MOP block inlays with abalone V inserts, black bound headstock overlay with G shield and logo inlay, three-per-side gold-plated Grover Rotomatic tuners, rosewood bridge, tortoiseshell pickguard, available in Antique Burst, Black (disc. 2008), Blonde (disc.), Ice Tea Burst (disc. 2008), Natural, or Red Trans. (disc.) finish, 17 in. body width, 4.8 in. body depth, 25.625 in. scale, mfg. 2002-present.
This model is also available in left-handed configuration (No. 385-2420).
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- similar to the F-50 Second Version, except has Fishman (disc. 2006), or D-TAR Wavelength (summer 2006-present) electronics, mfg. 2002-present.
This model is also available in left-handed configuration (No. 385-2427).
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- similar to the F-50 Second Version, except has rosewood back and sides, available in Antique Burst (disc.), Ice Tea Burst (disc. 2009), or Natural finish, mfg. 2002-present.
This model is also available in left-handed configuration (No. 385-2820).
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- similar to the F-50R Second Version, except has Fishman (disc. 2006), or D-TAR Wavelength (summer 2006-present) electronics, mfg. 2002-present.
This model is also available in left-handed configuration (No. 385-2827).
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- jumbo body style, solid Sitka spruce top, arched laminated maple back, solid maple sides, red spruce bracing, round soundhole with multi-ring rosette, ivoroid body binding, slim profile mahogany neck, 14/20-fret rosewood fingerboard with pearl dot inlays, mahogany headstock overlay with pearl Guild logo, three-per-side chrome Gotoh tuners, rosewood bridge with bone pins, tortoise pickguard, available in Antique Burst (2012 only) or Natural high gloss finish, 25.625 in. scale, hardshell case included, mfg. summer 2010-12.
This model is also available in left-handed configuration (No. 385-1420).
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- similar to the F-50 Standard, except has a single smooth cutaway and a D-TAR Wave-Length end pin mounted preamp with volume and tone controls, available in Natural high gloss finish, hardshell case included, mfg. 2011-2014.
This model is also available in left-handed configuration (No. 385-1426).
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- jumbo body style, solid sitka spruce top, solid Indian rosewood back and sides, round soundhole with abalone and ABS rings, white ABS binding, white and black ABS purfling, three-piece mahogany/walnut neck, 14/20-fret bound ebony fingerboard with abalone and MOP V-block inlays, black bound headstock overlay with G shield and logo inlay, three-per-side gold Gotoh open-gear tuners with butterbean buttons, ebony bridge, tortoiseshell pickguard, available in Antique Burst or Natural finish, 17.25 in. body width, 4.75 in. body depth, 25.625 in. scale, premium humidified hardshell case included, mfg. 2018-present.
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- jumbo body style, solid sitka spruce top, solid Indian rosewood back and sides, round soundhole with abalone and ABS rings, white ABS binding, white and black ABS purfling, three-piece mahogany/walnut neck, 14/20-fret bound ebony fingerboard with abalone and MOP V-block inlays, black bound headstock overlay with G shield and logo inlay, three-per-side gold Gotoh open-gear tuners with butterbean buttons, ebony bridge, tortoiseshell pickguard, L.R. Baggs Anthem electronics with volume and tone controls, available in Antique Burst or Natural finish, 17.25 in. body width, 4.75 in. body depth, 25.625 in. scale, premium humidified hardshell case included, mfg. 2018-present.
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- jumbo body based on the F-30 specs, solid spruce top, mahogany back and sides, round soundhole, single rosette, tortoiseshell body binding, mahogany neck, 14/20-fret rosewood fingerboard with pearl dot inlays, blackface headstock with Chesterfield and logo inlays, six-per-side chrome tuners, rosewood bridge with white pins, tortoise pickguard, available in Natural finish, 15.25 in. body width, 4.5 in. body depth, 25.5 in. scale, mfg. 1968-1982.
The earliest models may not have the Chesterfield headstock inlay. In 1976, the body size changed to 15.375 in. body width and 4.875 in. body depth.
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- 12-string configuration, jumbo body based on the F-47 specs, solid spruce top, mahogany back and sides, round soundhole, single rosette, tortoiseshell body binding, three-piece mahogany/maple neck, 14/20-fret rosewood fingerboard with no inlays, blackface headstock with Guild logo inlay, six-per-side chrome tuners, rosewood bridge with white pins, tortoise pickguard, available in Natural finish, 16 in. body width, 4.875 in. body depth, 25.5 in. scale, mfg. 1964-1985.
In 1968, a Chesterfield headstock inlay was introduced. In 1969, the body dimensions were changed as the body was slightly narrower at 15.875 in. and deeper at 5 in., and some models from this era may have a one-piece neck. In 1976, the body was widened back to the orignal size of 16 in.
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- similar to the F-212 12-String, except has a single sharp cutaway, mfg. 1976-1981.
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- similar to the F-212 12-String, except has an exposed pickup above the soundhole and two knobs (v, tone) mounted on the face of the guitar, mfg. 1965-1974.
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- similar to F-212, except has larger body and an ebony fingerboard, 21 in. body length, 17 in. body width, 5 in. body depth, mfg. 1966-1986.
In 1977, an ebony bridge was introduced.
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- 12-string configuration, jumbo body style, based on the original F-212XL Standard 12-String, solid spruce top, solid mahogany back and sides, round soundhole with rings, top and back body binding, mahogany neck, 14/20-fret ebony fingerboard with no inlays, black headstock overlay with Chesterfield and logo inlays, six-per-side chrome tuners, ebony bridge, available in Antique Burst, Black, or Natural finish, 25.625 in. scale, mfg. 1998-2000.
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- 12-string configuration, jumbo body style, solid Sitka spruce top, solid mahogany back and sides, red spruce bracing, round soundhole with multi-ring rosette, ivoroid body binding, slim profile mahogany neck, 14/20-fret rosewood fingerboard with pearl dot inlays, mahogany headstock overlay with pearl Guild logo, six-per-side chrome Gotoh tuners, rosewood bridge with bone pins, tortoise pickguard, available in Natural high gloss finish, 25.625 in. scale, hardshell case included, mfg. summer 2010-present.
This model is also available in left-handed configuration (No. 385-1720).
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