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- offset double cutaway RGX-style alder body, set five-ply laminated maple/mahogany neck, 24-fret bound ebony fingerboard with sharktooth inlays, bound black headstock overlay with matching finish accents, six-on-one-side tuners, double locking RM Pro vibrato bridge with Pitch Rise adjustment, two humbucker Alnico V pickups, three knobs (two v, tone), five-way pickup switch, recessed jack, black hardware, available in Metallic Black finish, mfg. 1987 only.
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- offset double cutaway RGX-style A.I.R. (Alternative Internal Resonance) design body, bolt-on maple neck, 22-fret rosewoood fingerboard, matching finish headstock overlay with Yamaha logo, three-per-side tuners with cylindrical knobs, A.I....
- offset double cutaway contoured mahogany body with flame maple top, body and neck binding, set mahogany neck, 22-fret rosewood fingerboard with 12th fret custom inlay, matching 3-D headstock with three-per-side tuners, original AES bridge...
- similar to the RGX-420S-D6, except has a 26.25 in. scale designed for dropped tunings, mfg. 2000-03.
- offset double cutaway RGX-style ash body, laminated maple/mahogany NTB, 24-fret bound ebony fingerboard with diamonds and 12th fret design inlays, matching finish headstock, six-on-one-side tuners, double locking RM-Pro tremolo bridge wit...
- offset double cutaway RGX-style alder body, bolt-on maple neck, 24-fret rosewood fingerboard with no inlays, 3D headstock with maple overlay, six-on-one-side tuners, double locking RM Pro II vibrato bridge, two single coil Live SS-1 (neck...
- similar to the RGX-TT Ty Tablor Signature, except, has a 26.25 in. scale designed for dropped tunings, available in Trans. Green Sunburst or Trans. Purple Sunburst finish, mfg. 2000-03.
- offset double cutaway RGX-style alder body, set five-ply laminated maple/mahogany neck, 24-fret bound ebony fingerboard with sharktooth inlays, bound black headstock overlay with matching finish accents, six-on-one-side tuners, double loc...
- similar to the RGZ-612P, except in left-handed configuration, mfg. 1991-93.
