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- similar to the WI64, except has a quilted maple top and gold hardware, available in Trans. Blue, Trans. Green, Trans. Purple (disc.), or Vintage Sunburst finish, mfg. 2000-07.
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- mahogany body with quilted arched maple top, one-piece mahogany set-neck, rosewood fingerboard with block inlays, two WB630 high output humbucking pickups, chrome hardware, flush tremolo, Buzz Feiten Tuning System, available in Carmel Bur...
- similar to the WI15, except has a custom Stephen Jensen graphic finish with matching headstock overlay and offset diamond inlays, gig bag included, mfg. 2009-2010.
- mahogany body with carved top, mahogany neck, 22-fret rosewood fingerboard with dot inlays, two Seymour Duncan humbucker pickups, TonePros bridge, stop tail piece, Buzz Feiten Tuning System, gold hardware, available in Black, Metallic Blu...
- single cutaway Idol-style mahogany body, multi-ply body binding, set mahogany neck, 22-fret bound rosewood fingerboard with MOP wing inlays, multi-ply bound heastock with black overlay, Washburn logo, and pearl inlay, three-per-side Grove...
- single cutaway mahogany body, carved flame maple top, multi-ply body binding, one-piece mahogany set neck, 22-fret bound ebony fingerboard with pearl block inlays, bound headstock with black overlay and Washburn logo, three-per-side Grove...
- mahogany body with quilted or flamed arched maple top, one-piece mahogany set-neck, 22-fret rosewood fingerboard with pearl wing inlays, full body binding B/N/H, two Seymour Duncan humbucker pickups, chrome hardware, Tune-o-matic bridge,...
- single cutaway Idol-style mahogany body, maple top, set mahogany neck, 22-fret rosewood fingerboard with MOP half block inlays, black headstock overlay with Washburn logo and Custom Shop USA logo inlay, three-per-side Grover Exclusive tun...
- Idol body style, basswood body, bolt-on maple neck, 22-fret rosewood fingerboard with dot inlay, black headstock with three-per-side tuners, Tele-style bridge with STB, two single coil pickups Tele-style, two chrome knobs (v, tone) and a...
