SANTA CRUZ Model DA1
- similar to the Model D, except features upgraded custom abalone top inlays, an ebony bridge and end pins, and Indian Rosewood back and sides, mfg. 2005-08.
No. of Strings
6
Body Type
--
No. of Frets
--
Weight
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- F-style body, solid Italian spruce top, solid Madagascar rosewood back and sides, round soundhole with ivoroid/B/ivoroid rosette, ivoroid binding, FF combo purfling, S29 sideways back purfling, mahogany neck with rounded profile, ivoroid-bound ebony fingerboard that is fretted up to the 14th fret and fretless the rest of the way, small dot inlays and "OT" initial inlay on the fretless part, square bound headstock with ebony overlay and "SCGC" inlay, three-per-side nickel tuners with ivoroid buttons, ebony pyramid bridge, tortoise pickguard, available in Custom Tint top with clear back and sides finish, 25.375 in. scale, mfg. 2009-present.
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- similar to the Model D, except features upgraded custom abalone top inlays, an ebony bridge and end pins, and Indian Rosewood back and sides, mfg. 2005-08.
- small concert F-style body designed for travel, cedar top, Indian rosewood back and sides, scalloped bracing, round soundhole with ivoroid rosette, ivoroid binding, FF combo purfling, S29 back stripe, 14/21-fret bound ebony fingerboard wi...
- similar to Model OM, except has advanced X-bracing, enhanced bass response, available in Natural finish, current mfg.
- German spruce top, mahogany back and sides, three-per-side Waverly tuners, 12 frets to the body, no pickguard, available in Natural finish, 27 in. scale, mfg. 1997-present.
- single rounded cutaway parlour-size body, solid Sitka spruce top, solid mahogany back and sides, round soundhole with firefly rosette, ivoroid binding, firefly purfling, mahogany neck, 14/20-fret bound ebony fingerboard with "rude gi...
- Sitka spruce top, herringbone purfling/rosette, tortoise pickguard, mahogany back/sides, 12/20-fret ebony fingerboard with pearl diamond inlay, ebony bridge with pearl dot pins, ebony veneer on slotted peghead with pearl logo inlay, three...
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