No. of Strings
6
Body Type
--
No. of Frets
20
Weight
--
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-14-fret single cutaway grand performance body, solid Sitka spruce top, Rosewood pattern HPL back and sides with textured finish, round soundhole with multi-stripe rosette, birch laminate-rust neck, 14/20-fret black Richlite fingerboard, Rosewood pattern HPL headstock overlay with script ink logo, three-per-side chrome tuners with small buttons, black Richlite modern belly bridge, faux tortoise pickguard, Fishman Sonitone electronics, available with hand rubbed finish on top and neck, 1.75 in. nut, 25.4 in. scale, mfg. summer 2016-2019.
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- 14-fret concert body style, Figured Mahogany HPL top with X bracing pattern, HPL figured mahogany patterned back and sides, herringbone ink rosette, rust birch laminate performing artist neck with high performance taper, 14/20-fret FSC ce...
- similar to the 00CXMAE Cutaway Electric, except has HPL rosewood patterned textured back and sides and a HPL rosewood patterned headstock overlay, mfg. 2000-summer 2001.
- dreadnought body style, Sitka top with X bracing pattern, HPL Koa patterned back and sides, multi-stripe rosette with MOP pattern, select hardwood performing artist neck with high performance taper, 14/20-fret Katalox fingerboard with Sty...
- similar to the DX1, except has HPL Indian rosewood back and sides, and a HPL Indian rosewood headstock overlay, mfg. 2001-2019.
- similar to the DX1E Electric, except has a single cutaway, mfg. summer 2000-mid-2012.
- similar to DX1, except has Fishman Classic 4 Sonicore electronics, mfg. 2006-2012.
- single round cutaway dreadnought body style, solid Sitka spruce top, HPL textured rosewood pattern back and sides, multi-stripe rosette, rust birch laminate neck, 14/20-fret FSC Certified Richlite fingerboard, HPL rosewood pattern headsto...
- dreadnought body style, HPL Hawaiian koa patterned top, HPL Hawaiian koa patterned back and sides, gold and black herringbone-style rosette, natural Stratabond neck, 14/20-fret East Indian rosewood (mid-2002-mid-2009) or black Richlite (m...
