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- single cutaway alder body, maple neck-through body, rosewood fingerboard with dot position markers and spiders at the 12th fret, black hardware, Floyd Rose Licensed bridge, 24 XJ frets, EMG-HZ H-1 pickup set, 2 volume/1 tone control, 3-way toggle, available in Black, mfg. 2001-02.
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- Flying V-style with sharp points and a rounded middle between the points, mahogany body, quilted maple top, set mahogany neck, 22-fret bound ebony fingerboard with Custom X inlays, bound matching finish headstock, three-per-side locking t...
- Flying V-style beveled mahogany body with enlonged bass bout, mahogany NTB, 22-fret ebony fingerboard with triangle and 22nd fret model name inlays, six-on-one-side Grover tuners, Floyd Rose 1000 Series bridge, one EMG 81 active pickup, o...
- single sharp cutaway Eclipse-style mahogany body, cream bound top, set maple neck, 22-fret bound rosewood fingerboard with star and 8-12th fret American Flag inlays, matching finish bound headstock with Will Adler's signature, three-per-s...
- similar to the SC-600, except in seven-string configuration, available in Black or Natural gloss finish, mfg. 2003-07.
- seven-string configuration, offset double cutaway Strat-style mahogany body, quilted maple top, maple NTB, 24-fret ebony fingerboard with rectangle and 12th fret model name inlays, black headstock with Zach Householder's signature, seven-...
- single cutaway EC style mahogany body, maple neck, 24-fret rosewood fingerboard with cold spider inlays, two EMG-HZ pickups, TonePros bridge, STB, two knobs, three-way switch, black hardware, available in Black Satin finish, mfg. 2002-04.
- offset double cutaway alder body, maple neck-through body, rosewood fingerboard with dot position markers, skull and crossbones at 12th fret, black hardware, Floyd Rose Licensed bridge, 24 XJ frets, EMG-HZ H-1 pickup set, two volume/one t...
- similar to the SC-500, except has a maple body, Seymour Ducan SH-4and HB-102N pickups, Tone Pros locking bridge, available in Natural Gloss or Three-Tone Burst finish, mfg. 2003-06.
