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- six-string configuration, offset double cutaway mahogany wing body with poplar burl top, nine-piece wenge/bubinga/maple BTB6 NTB, 24-fret rosewood fingerboard with offset abalone dot inlays, mahogany headstock overlay, three-per-side tuners, Monorail IV bridge, two Nordstrand Big Single pickups, EQB-IIISC 3-Band active electronics, five knobs (t boost/cut, m boost/cut, b boost/cut, v, balancer), gold hardware, gig bag included, available in Natural Flat finish, mfg. 2015-present.
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- offset double cutaway mahogany body with bubinga top, five-piece maple and walnut neck, 23-fret rosewood fingerboard with dot inlay, two-per-side tuners, Mono-Rail II bridge, two Ibanez SPJ-4B pickups, three knobs, available in Walnut Fla...
- offset double cutaway agathis body, bolt-on three-piece maple neck, 24-fret rosewood fingerboard with pearl dot inlays, matching headstock with two-per-side tuners, B100 standard bridge, two Ibanez pickups, three knobs, Phat II active ele...
- offset double cutaway light ash body, walnut top, five-piece maple/bubinga NTB, 24-fret rosewood fingerboard with abalone pearl dot inlays, walnut matching finish headstock overlay with BTB logo, 2/3-per-side tuners, Mono-rail II bridge,...
- offset double cutaway ash (500) or mahogany (510) body, three-piece maple neck, rosewood fingerboard with Pearl Dot position markers, 24 medium frets, Mono-Rail II bridge, two Ibanez pickups, available in Trans. Flat Black or Walnut Flat...
- similar to the BTB1000 except in five string configuration and 2/3-per-side tuners, mfg. 1999-2001.
- similar to the BTB675, except has a maple fingerboard, available in Natural Flat finish, mfg. 2012-present.
- similar to the BTB570FM, except has a maple fingerboard with black dot inlays, available in Charcoal Brown finish, mfg. 2009 only.
- offset double cutaway mahogany body, poplar burl top, five-piece maple/bubinga neck, 24-fret rosewood fingerboard with abalone pearl dot inlay, poplar burl matching finish headstock overlay, two/three-per-side tuners, Mono-rail II bridge,...
