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- archtop hollowbody, single cutaway design, bound top, backand f-holes, additional small oval soundhole in the traditional location, harp tailpiece, three-per-side tuners, blackand white celluloid decoration on the headstock with stylized arrow, split trapezoid position markers, unusually shaped f-holes, available in highly polished Black finish only, mfg. 1954-1964.
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- similar to the Model 455 except features a larger archtop body, laminated maple top, back and sides, bound top, back, fingerboard, and f-holes, rosewood fingerboard, celluloid band position markers, white pickguard, three-per-side tuners,...
- archtop hollowbody, sapeli mahogany backand sides, selected spruce top, bound mahogany fingerboard, split trapezoid position markers, wooden inlays and celluloid bindings on top and back, wooden inlays around f-holes, harp tailpiece, thre...
- archtop hollowbody, flame maple back and sides, rosewood fingerboard, celluloid band position markers, bound top, back, fingerboard and f-holes, red, black, or white headstock, white pickguard, lyre tailpiece, three-per-side tuners, avail...
- similar to Model 455 except in a single cutaway design, mfg. 1961-1970.
- archtop hollowbody, spruce top, flame maple back and sides, florentine cutaway, three-dot position markers, three-per-side tuners, harp tailpiece, bound top, back, fingerboard and f-holes, black pickguard, available in high polish Yellow-...
- archtop hollowbody, laminated maple top, back and sides, rosewood fingerboard with white celluloid inlays, three-per-side tuners, black and white celluloid binding on top, back, and f-holes, red-white celluloid inlays on headstock, white...
- similar to 455/S except in Blonde finish, mfg. 1963-67.
- archtop hollowbody, well selected fine spruce top, rosewood back and sides, ebony fingerboard, woodand celluloid bindings on top, back, fingerboard and f-holes, MOP headstock inlays (bell-flowers) and position markers (one narrow rectangl...
