No. of Strings
6
Body Type
--
No. of Frets
20
Weight
--
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- similar to ES-300 Prewar, except has layered black pickguard, bound fingerboard, mfg. 1946-1953.
In 1948, 2 single coil pickups, 2 volume controls replaced single pickup and one volume/tone control. Tone control was moved to upper treble bout in 1948.
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- double round cutaway semi-hollow laminated maple body, interior maple block runs down the middle of body between tailpiece and endpin, two unbound f-holes, single-ply body binding, set mahogany neck, 22-fret bound rosewood fingerboard wit...
- similar to the ES-125T, except has two pickups, mfg. 1957-1963.
- same body size/style as ES-335, maple/poplar laminate top and back, 2 exposed black humbucker pickups, mahogany neck with 10/22-fret rosewood fingerboard with pearloid dot inlays, no pickguard, nickel hardware, electronics similar to ES-3...
- double cutaway semi-hollow ES-335-style maple body based on Alvin Lee's 1959 ES-335, single-ply cream binding, two f-holes, set one-piece mahogany neck, 22-fret bound rosewood fingerboard with pearloid block inlays, black headstock overla...
- similar to the ES-165 Herb Ellis, except has two humbucker pickups, four knobs (two v, two tone), a three-way pickup switch, and f-hole mutes, available in Bullion Gold, Light Burst, Vintage Sunburst, or Wine Red, mfg. 2002-04.
- single round cutaway hollow body, 17 in. wide by 21 in. long, by 3.375 in. deep, 25.5 in. scale, arched figured maple top, bound f-holes, raised layered black pickguard, 3-stripe bound body, figured maple back/sides/neck, 14/20-fret multi...
- same body size as ES-125, arched maple top, layered black pickguard, f-hole, maple back, mahogany sides/neck, 14/20-fret bound rosewood fingerboard with pearl block inlay, adjustable rosewood bridge/trapeze tailpiece, 3-per-side tuners wi...
- similar to ES-125, except has a thin body, 16.25 in. by 20.25 in. by 1 3/4 in. deep, 24 3/4 in. scale, mfg. 1956-1969.
