No. of Strings
6
Body Type
--
No. of Frets
22
Weight
--
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- similar to Mirage Standard, except has 2 exposed humbucker pickups, 3-position switch, mfg. 1986-1990.
In 1987, Pearl Gold, Pearl Pink, Pearl White, and Turquoise finishes were introduced, through-body maple neck, 24-fret bound ebony fingerboard with offset pearl block inlay/logo block inlay at 12th fret, double locking vibrato, redesigned bound peghead, 2 single coil/1 humbucker pickups, 5-position switch replaced original part/designs, Baby Blue, Bubblegum Pink, Candy Apple Blue, Metallic Blue, Metallic Red, Mint Green, Snow White, Transparent Cherry Red, and Transparent Blue finishes were disc. In 1988, Brite Red, Gunmetal Blue, Magenta, Mediterranean Blue, and Pearl Silver finishes were introduced; Fiesta Red, Pearl Gold, and Pearl Pink finishes were disc. In 1989, Candy Apple Red and Lake Placid Blue finishes were introduced, 2 stacked coil/1 humbuckers replaced respective item, Brite Red, Mediterranean Blue, and Pearl Silver finishes were disc. In 1990, Magenta and Turquoise finishes were disc.
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- offset double cutaway hardwood body, bolt-on maple neck, 22-fret bound rosewood fingerboard with pearl offset block inlay/logo block inlay at 12th fret, double locking vibrato, bound blackface peghead with screened logo, 6-on-a-side tuner...
- similar to Mirage Custom, except has bound rosewood fingerboard with pearl offset block inlay, double locking vibrato, stacked coil/humbucker pickups, available in Black, Fiesta Red, Pearl Gold, Pearl Pink, Pearl White, or Turquoise finis...
- offset double cutaway alder or ash body, maple neck, 22-fret rosewood fingerboard with pearl dot inlay (logo block inlay at 12th fret), Wilkinson VS-100 tremolo, reverse peghead, 6-on-a-side Sperzel locking tuners, black hardware, 2 SS-10...
- offset double cutaway mahogany body, bolt-on maple neck, 22-fret rosewood fingerboard with pearl dot inlay, strings through bridge, blackface peghead with screened logo, 6-on-a-side tuners, black hardware, exposed humbucker pickup, volume...
