COLLINGS GUITARS 01 14-FRET image

COLLINGS GUITARS 01 14-FRET

Manufactured by COLLINGS GUITARS

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COLLINGS GUITARS 01 14-FRET Variants

COLLINGS GUITARS 02H 14-Fret Image

COLLINGS GUITARS 02H 14-Fret

- similar to the 01, except has East Indian rosewood back and sides, grained ivoroid binding, herringbone purfling, crosscut grained ivoroid and wood strip rosette, and traditional diamond and square fingerboard inlays, mfg. 2006-present.

COLLINGS GUITARS 03 14-Fret Image

COLLINGS GUITARS 03 14-Fret

- similar to the 01, except has East Indian rosewood back and sides, crosscut grained ivoroid binding, select abalone black/white strip rosette, crosscut grained ivoroid double black/white strip purfling, mutli-colored chevron backstrip, bl...

COLLINGS GUITARS 01 14-FRET Price & value

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COLLINGS GUITARS 01 14-FRET Description

- 0 style, spruce top, mahogany back/sides/neck, round soundhole, tortoise binding, black/white wood strip rosette, 14/20-fret bound ebony fingerboard with pearl dot markers, rosewood veneer on bound open-style peghead with MOP logo inlay, three-per-side nickel Waverly tuners, ebony bridge with white black dot pins, tortoiseshell pickguard, available in Natural finish, total length 38 in., body length: 18 3/16 in., body width: 13 7/16 in., body thickness: 4.125 in., 24.875 in. scale, mfg. 2006-present.

COLLINGS GUITARS 01 14-FRET Specs

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COLLINGS GUITARS 01 14-FRET Similar Models

COLLINGS GUITARS 00-1 12-FRET Image

COLLINGS GUITARS 00-1 12-FRET

- grand concert style, spruce top, round soundhole, tortoiseshell pickguard, three-stripe bound body/rosette, mahogany back/sides/neck, 12/20-fret bound ebony fingerboard with pearl dot markers, ebony bridge with white black dot pins, rosew...

COLLINGS GUITARS 000-1 12-FRET Image

COLLINGS GUITARS 000-1 12-FRET

- orchestra style, spruce top, ivoroid binding, round soundhole, ivoroid/wood stripe rosette, tortoise style pickguard, mahogany back/sides, mahogany neck, 12/20-fret bound ebony fingerboard with pearl diamond/square inlay, ebony pyramid br...

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