ELECTRIC: T SERIES

The T series guitars and basses were originally designed by Chip Todd in 1977, and debuted at the 1978 NAMM show. The three prototypes shown were T-60 and T-30 guitars, and a T-40 bass. Chip Todd was primarily an engineer who repaired guitars on the side. Todd was hired out of his Houston guitar repair shop, and initially handled the drafting and design by himself. Hartley Peavey had a great deal of input on the initial designs, and the tone circuit was invented by noted steel guitarist Orville Red Rhodes. Todd was eventually assisted by Gerald Pew, Bobby Low, and Charley Gressett. According to researcher Michael Wright, Chip Todd left Peavey in 1981 and currently works in the TV satellite electronics -- although he does have a new patent on guitar design that he is considering applying for. Peavey´s initial concept was to use machinery to control efficiency and quality control. Borrowing an idea from gun manufacturing, Peavey bought a controlled carving machine to maintain strict tolerances in design. In a seeming parallel to the Fender debut of plank guitars and other derisive comments in 1951 leading to the other manufacturers then building solid body electrics in 1952, the guitar industry first insisted that you can't build guitars on a computer! A year later, everybody was investigating numerical controllers (and later the CAD/CAM devices - now CNC machines). If Leo Fender is the father of the mass produced solid body guitar (among other honors), then Hartley Peavey is the father of the modern solid body production technique. Source courtesy Michael Wright, Guitar Stories, Volume One.

Models (10)

- double offset cutaway body, bolt-on bi-laminated rock maple neck, 20-fret fingerboard, six-on-a-side tuners, cream and black laminated pickguard, two oversized in. blade in. style single coil pickups, master volume knob, master tone knob, three-way pickup selector switch, chrome hardware, available in Natural finish, 23.5 in. scale, mfg. 1981-83.
The T-15 was offered with the optional Electric Case. The molded plastic case's center area contained a 10 watt amp and 5 in. speaker, and had a pre- and post-gain controls, and an EQ control. The Electric Case can be viewed as Peavey's solid-state version of Danelectro's tube Amp-in-Case concept. The T-15 Guitar with Electric Case retailed as a package for $260.
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- double offset cutaway body, bolt-on bi-laminated rock maple neck, 23-fret fingerboard, 24.75 in. scale, chrome hardware, 6-on-a-side tuners, two double blade style humbucking pickups, master volume control, two tone controls (first for the neck pickup and the other for the bridge pickup), 3-way pickup selector switch, available in Natural, Sunburst, Sunfire Red, or Frost Blue finish, mfg. 1982-83.
The tone control for the humbucking pickup allows the capability of single or dual coil output. Fully opening the pot to 10 achieves single coil mode. Turning counterclockwise to 7 brings the second coil into operation. Bridge pickup is full humbucking at the 0 setting.
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T-25 Special

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- similar to the T-25, except features a black phenolic fingerboard and black laminated pickguard, available in Gloss Black finish, mfg. 1982-83.
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- double offset cutaway body, bolt-on bi-laminated rock maple neck, 23-fret fingerboard, six-on-one-side tuners, three blade style single coil pickups, master volume control, two tone controls (first for the neck pickup and the other for the bridge pickup), five way pickup selector switch, chrome hardware, available in Natural, Sunburst, Sunfire Red, or Frost Blue finish, 24.75 in. scale, mfg. 1982-83.
Both the neck and the bridge single coil pickup have their own tone control. The center pickup does not have a tone control, but functions through either of the two tone controls when employed in the humbucker modes.
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- double offset cutaway body, bolt-on bi-laminated rock maple neck, 23-fret fingerboard, 24.75 in. scale, chrome hardware, 6-on-a-side tuners, two in. blade in. style single coil pickups and one double blade style humbucker, master volume control, two tone controls (first for neck and middle pickups and the other for the bridge pickup), five way pickup selector switch, available in Natural, Sunburst, Sunfire Red, or Frost Blue finish, mfg. 1982-83.
The tone control for the humbucker pickup allows the capability of single or dual coil output. Fully opening the pot to 10 achieves single coil mode. Turning counterclockwise to 7 brings the second coil into operation. Bridge pickup is full humbucking at the 0 setting.
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T-27 Limited

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- similar to the T-27, except features upgraded electronics and a rosewood neck, mfg. 1982-83.
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- double offset cutaway body, bolt-on bi-laminated rock maple neck, 20-fret fingerboard, 23.5 in. scale, 6-on-a-side tuners, three blade style single coil pickups, master volume knob, master tone knob, five way pickup selector switch, available in Natural finish, mfg. 1981-83.
The T-30 Guitar/Electric Case package retailed for $320.
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- offset double cutaway ash body, bolt-on bi-laminated rock maple neck, 21-fret maple fingerboard with black dot inlays, natural headstock overlay with black border and Peavey logo, six-on-one-side tuners, individual saddle bridge with STB, black pickguard, two humbucker pickups, four knobs (two v, two tone), pickup phase switch, three-way pickup switch, chrome hardware, available in Black, Blood Red (1982-88), Burgundy (1982-88), Natural, Sunburst, or White finish, 25.5 in. scale, mfg. 1978-1988.
The T-60 was the first Peavey production guitar, and had a rosewood fingerboard as an option. The original Red Rhodes-designed pickups allows the capability of single or dual coil output. Fully opening the pot to 10 achieves single coil mode. Turning counterclockwise to 7 brings the second coil into operation, and achieving full range humbucker tone. Rotation of the control from 7 to 0 further contours the tone circuit. The Phase switch is a two position switch which reverses the coil relationship in the bridge pickup when the pickup switch is in the middle position: up is in phase, and down is out-of-phase.
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T-1000 LT

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- double offset Western Poplar body, rock maple neck, 24-fret rosewood fingerboard, Recessed Floyd Rose licensed Double locking tremolo system, 2 single coil and 1 coil-tapped humbucker pickups, master volume control, master tone control, 5-way pickup selector switch, mfg. 1992-94.
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T-JR (JUNIOR)

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- similar to the T-60 guitar, except featured an octave neck and smaller body dimensions (like a mandolin), mfg. 1982-83.
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