ELECTRIC BASS: T SERIES

The T series guitars and basses were originally designed by Chip Todd in 1977, and three models debuted in 1978 (T-60 and T-30 guitars, and a T-40 bass).

Models (3)

- double offset cutaway maple or southern ash body, bi-laminated hard rock maple neck, 21-fret maple fingerboard, 34 in. scale, chrome hardware, fixed bridge, four on a side headstock, single blade single coil pickup, volume knob, tone knob, brown laminated pickguard, available in Natural, Sunfire Red, or Frost Blue finish, mfg. 1982-85.
This model was also available with a fretless neck.
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- double offset cutaway body, bolt-on bi-laminated rock maple neck, 23-fret fingerboard, chrome hardware, fixed bridge, four on a side tuners, two double blade style humbucking pickups, two volume controls, two tone controls (one per pickup), pickup phase switch, three-way pickup selector switch, brown laminated pickguard, available in Natural, White, Black, or Sunburst finish, 34 in. scale, mfg. 1978-1988.
The T-40 was the first Peavey production bass. This model was also offered with a fretless neck. In 1982, Blood Red and Burgundy finished were offered. The original Red Rhodes-designed pickups allows the capability of single or dual coil output. Fully opening the tone potentiometer to 10 achieves single coil mode. Turning counterclockwise to 7 brings the second coil into operation, and achieving full range humbucking tone. Rotation of the control from 7 to 0 further contours the tone circuit. The Phase switch is a two position switch which reverses the coil relationship in the bridge pickup when the pickup switch is in the middle position (up is in phase, and down is out-of-phase).
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- double offset cutaway hardwood body, bi-laminated hard rock maple neck, 21-fret maple fingerboard, 34 in. scale, chrome hardware, fixed bridge, four on a side tuners, dual blade humbucker, master volume knob, two tone knobs, available in Black, White, Sunburst, Blood Red, or Burgundy finish, mfg. 1982-86.
The humbucking pickup can be used in either single coil or dual coil mode. Fully opening the tone potentiometer to 10 achieves single coil mode. Turning counterclockwise to 7 brings the second coil into operation, and achieving full range humbucking tone. Rotation of the control from 7 to 0 further contours the tone circuit.
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